Eva Lind's 'Mein Lied für dich' had a release date set for January 1, 2003. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wunder Gescheh'n by Eva Lind. The song's track number on the album is #9 out of 17 tracks. The popularity of Mein Lied für dich is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Mein Lied für dich by Eva Lind has a tempo of 172 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Mein Lied für dich being at 172 BPM, the half-time would be 86 BPM with a double-time of 344 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song | Edvard Grieg, Sir Thomas Beecham, Ilse Hollweg, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 88 BPM | ||
| Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Ah! mon ami, quel accent!" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Riccardo Cassinelli, Eva Lind, Georges Gautier, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | E Major | 1 | 12B | 65 BPM | ||
| Deux romances, L. 79: No. 2, Les cloches | Dilyana Georgieva, Galina Apostolova | D♭ Minor | 2 | 12A | 87 BPM | ||
| Gianni Schicchi: Aria "O mio babbino caro" | Giacomo Puccini, Royal Philharmonic Orchestra, Charles Dutoit, Deborah Norman | A♭ Major | 2 | 4B | 174 BPM | ||
| Bist Du Bei Mir, BWV 508 | Johann Sebastian Bach, Elin Manahan Thomas, Alastair Ross, Joseph Crouch, Harry Christophers | D Major | 0 | 10B | 102 BPM | ||
| Nonnenkoor Uit Casanova | Koor en Orkest o.l.v. Benedict Silberman | F Major | 3 | 7B | 87 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3 Song with Chorus "You spotted snakes" | Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Major | 1 | 11B | 86 BPM | ||
| Fantasias Solitarias | Sirenas Celestiales | B Minor | 2 | 10A | 92 BPM | ||
| Frieden sei dieser Welt beschieden | Gotthilf Fischer | A♭ Major | 3 | 4B | 130 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| Am Brunnen vor dem Tore | Friedrich Silcher, Meistersinger, Die, Klaus Breuninger | B♭ Major | 0 | 6B | 233 BPM | ||
| Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
| Wahre Freundschaft soll nicht wanken | Der Montanara Chor | G Major | 1 | 9B | 77 BPM | ||
| Die Csardasfürstin: Tanzen möcht' ich | Emmerich Kálmán, Angelika Kirchschlager, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | C Major | 2 | 8B | 95 BPM | ||
| "Lobgesang" in B Flat Major, Op. 52, MWV A18: "Ich harrete des Herrn" | Felix Mendelssohn, Anne Schwanewilms, Petra-Maria Schnitzer, Gewandhausorchester, Riccardo Chailly | C Major | 1 | 8B | 131 BPM | ||
| La Campanella | Menskes Chöre | F♯ Major | 3 | 2B | 92 BPM | ||
| Uber allen Gipfeln ist Ruh | Friedrich Kuhlau, Carl Maria von Weber Men's Choir, Berlin | D♭ Major | 0 | 3B | 116 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Valse moderato | Franz Lehár, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 98 BPM | ||
| 歌劇「エドガール」: 第3幕への前奏曲 | Giacomo Puccini, Bratislava CSR Symphony Orchestra, Ondrej Lenard | D Major | 2 | 10B | 61 BPM | ||
| Nun danket alle Gott | Jay Alexander, Czech Symphony Orchestra, Adrian Werum | A♭ Major | 3 | 4B | 173 BPM | ||
| Der Freischütz, J. 277 / Act 2: "Kommt ein schlanker Bursch gegangen" | Carl Maria von Weber, Eva Lind, Staatskapelle Dresden, Sir Colin Davis | C Major | 1 | 8B | 73 BPM | ||
| Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore" | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 92 BPM | ||
| Dunkelrote Rosen | Rudolf Schock | D Major | 3 | 10B | 140 BPM |