On May 28, 2005, the song "Dalbaadlo Ropani" was released by Rekha Rao. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The track order of this song in Rekha Rao, Kumar Vishu's "Gorband Vol-1" album is number 2 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Dalbaadlo Ropani is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dalbaadlo Ropani by Rekha Rao to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chanda Mama Aare Aavs | MANOJ TIWARI, Rekha Rao | D♭ Major | 10 | 3B | 136 BPM | ||
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM | ||
| Zari Ki Pagari Bandhey Sunder Aankhon Wala | Mridul Krishan Shastri | F♯ Major | 8 | 2B | 142 BPM | ||
| Ganpati Aaj Padhro Shree Ramji Ki Dhun Main | Sunil Sharma | F♯ Minor | 7 | 11A | 145 BPM | ||
| Papaiya | Seema Mishra, Sanjay Raizada | F♯ Major | 5 | 2B | 122 BPM | ||
| Naina Jo Mile Hain Sarkar Se | Devansh Bhardwaj | A Major | 3 | 11B | 100 BPM | ||
| Kota Suto Kagaj Aayo | Rekha Rao, Pramesh Premi | D♭ Minor | 7 | 12A | 171 BPM | ||
| Uchieya Machaila Walie Maa | Naveen Punjabi | D♭ Major | 8 | 3B | 102 BPM | ||
| tere ashiq tere diwane hai lagan tumse laga baithe | Bhagwat Suthar | B Major | 9 | 1B | 94 BPM | ||
| Janamashtami Mashup | Dhruv Sharma, Swarna Shri | D♭ Major | 4 | 3B | 105 BPM | ||
| Mai Sabse Badi Hai Tu | Riza Khan, Bali Thakre | E Major | 8 | 12B | 104 BPM | ||
| Aayo Sawaliyo Sarkar | Sanju Sharma | C Major | 5 | 8B | 107 BPM | ||
| Nainan Me Shyam Samaye Gayo | Manoj Sharma Gwalior | A Major | 8 | 11B | 136 BPM | ||
| Banna Re Baga Main Jhoola | Tej Karan Rao, Rekha Rao | F♯ Major | 6 | 2B | 97 BPM | ||
| Shiv Amritwani 2 | Chetna | F Major | 6 | 7B | 140 BPM | ||
| Jab Se Naina Ladal | Sadhvi Purnima Ji | D♭ Major | 8 | 3B | 90 BPM | ||
| Fagun Ka Nazara | Raj Pareek | E♭ Major | 5 | 5B | 178 BPM | ||
| Karni Mata Saptmi Jhani Special Chirja Deshane Saji Jhanki | Ramavtar Marwadi | C Major | 8 | 8B | 80 BPM | ||
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM | ||
| Itni Kripa Sanware Bhaye Rakhna | Aniruddhacharya Ji Maharaj | F Minor | 9 | 4A | 84 BPM | ||
| Khatu Shyam Chalisa | Manoj Mishra | C Minor | 7 | 5A | 96 BPM | ||
| Mithe Ras Se Bharyo Re Radha Rani Lage | Asif Jeriya, Ami Joshi | D♭ Major | 5 | 3B | 90 BPM | ||
| Gaura Nachan Lagi Re | Khushi Joshi | F♯ Minor | 8 | 11A | 106 BPM | ||
| Main Tere Lie Kya Likhu | Sheetal Pandey | Sheetal Pandey | E♭ Major | 6 | 5B | 142 BPM | ||
| Shyam More Nainan Aage | Sadhhwi Purnima Ji | A♭ Minor | 8 | 1A | 116 BPM |