Note's ' "P.S.A. From John Coffey (Interlude)" was released on its scheduled release date, January 1, 2008. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. P.S.A. From John Coffey (Interlude)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Note's "It's Always Sunny In Cleveland" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, P.S.A. From John Coffey (Interlude)'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of P.S.A. From John Coffey (Interlude) by Note to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laudaste Dóminum, monedas gentes (salmo 116) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
| Bonjour mon cœur - Live at the Llangollen International Musical Eisteddfod, 1955 | Orlande de Lassus, Corale Gioachino Rossini, Livio Borri | E♭ Minor | 1 | 2A | 70 BPM | ||
| La Canción del Olvido: "Canción de Rosina: Canta el trovador" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | E Minor | 1 | 9A | 111 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Le ciel est bleu !" (Chœur, Nourabad, Nadir) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Jacques Mars, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 1 | 7B | 86 BPM | ||
| Cavalleria rusticana: Scena. Largo | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
| Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
| Lu Salâde Russe | Lilaro | E♭ Major | 5 | 5B | 97 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | F Major | 4 | 7B | 78 BPM | ||
| Adieu Vieille Europe | Musique Principale De La Légion Étrangère | C Minor | 1 | 5A | 82 BPM | ||
| For Her Ears Only | Note | G Major | 6 | 9B | 119 BPM | ||
| Spring In My Heart | Deanna Durbin | C Major | 4 | 8B | 91 BPM | ||
| Let the Rest of the World Go By | Elizabeth Spencer, Charles Hart | G Major | 2 | 9B | 74 BPM | ||
| Tiene la Jota Más Aire / El Tirar Es Cobardía (feat. Rondalla) | José Oto, Rondalla | C Major | 3 | 8B | 91 BPM | ||
| Hino 177 Eu Necessito Achegar-me | Rafael Lima Violoncelista | F Major | 3 | 7B | 87 BPM | ||
| Fächer - Polonaise Op. 525 | Carl Michael Ziehrer, Wiener Philharmoniker, Willi Boskovsky | D Major | 2 | 10B | 88 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Ume Eder Bat | Coro De Camara Del Orfeon Donostiarra | A♭ Major | 4 | 4B | 71 BPM | ||
| Amado Mio | Paul Potts | F Minor | 4 | 4A | 67 BPM | ||
| Giordano's Fedora: Amor Ti Vieta | Jussi Björling | C Major | 4 | 8B | 94 BPM | ||
| Le bistro de la chaise qui craque | Les Prout | B Minor | 2 | 10A | 152 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| Ator, Ator Mutil: Canción a 5 Voces Mixtas - Remastered | Coro De Camara Del Orfeon Donostiarra, Juan Goróstidi | E♭ Major | 3 | 5B | 98 BPM | ||
| Norton: Chu Chin Chow, Act 2: Any Time's Kissing-Time (Alcolom, Ali Baba) | Frederic Norton, Michael Collins, Julie Bryan, Inia Te Wiata, Michael Collins Orchestra | G Major | 4 | 9B | 168 BPM |