Alessandro Melani, Rinaldo Alessandrini, Concerto Italiano's 'Laudate Pueri' had a release date set for August 30, 2010. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Alessandro Melani, Rinaldo Alessandrini, Concerto Italiano's "Melani: Mottetti" album is number 6 out of 10. On top of that, France appears to be the country where this track was created. Laudate Pueri is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laudate Pueri by Alessandro Melani, Rinaldo Alessandrini, Concerto Italiano to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Membra Jesu Nostri, BuxWV 75, Ad cor: Concerto a 3 voci "Vulnerasti cor meum" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
| Missa Circumcisionis, ZWV 11: Agnus Dei II | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | F Minor | 3 | 4A | 73 BPM | ||
| Missa pro Quadragesima, MH 551: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Infirmata, vulnerata: IV. Cur, quaeso, crudelis | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Messa a 5 Concertata: X. Domine Fili unigenite | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 60 BPM | ||
| Se Un Petto Constante Si Fa | Alessandro Melani, Rosa Lamoreaux | A Major | 1 | 11B | 81 BPM | ||
| Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VI. Allmandt | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 79 BPM | ||
| Missa Quadragesimalis, MH 552: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Missa Divi Xaverii, ZWV 12: Domine Deus II | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F♯ Major | 3 | 2B | 69 BPM | ||
| Violin Sonata No. 1 in A Major, C. 138: V. Finale | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | D♭ Major | 0 | 3B | 84 BPM | ||
| Messa a 5 Concertata: VI. Et in terra pax | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 60 BPM | ||
| III. Aria | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger | A♭ Minor | 1 | 1A | 113 BPM | ||
| Magnificat in B flat major: Suscepit Israel | Francesco Durante, Hermann Oswald, Ekkehard Abele, Thomas Hengelbrock | B Major | 0 | 1B | 105 BPM | ||
| Dixit Dominus, HWV 232: IV. Chorus "Juravit Dominus" | George Frideric Handel, Vox Luminis, Lionel Meunier | C Minor | 1 | 5A | 73 BPM | ||
| Messiah, Pt. 1: 14. Pifa (Pastoral Symphony) | George Frideric Handel, Dunedin Consort, John Butt | B Major | 0 | 1B | 136 BPM | ||
| Miserere mei Deus, C. 116: III. Ecce enim in iniquitatibus | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | D♭ Major | 1 | 3B | 133 BPM | ||
| Suite in G Minor: III. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | D♭ Minor | 2 | 12A | 93 BPM | ||
| Der Herr ist mit mir, darum fürchte ich mich nicht, BuxWV 15 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | C Minor | 1 | 5A | 140 BPM | ||
| Messe de Minuit, H. 9: Gloria | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Randol Rodriguez, Etienne Bazola, Marie-Frédérique Girod, Caroline Weynants | C Major | 2 | 8B | 94 BPM | ||
| Première suite à 3 violes in D Major: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 145 BPM | ||
| Missa Votiva in E Minor, ZWV 18: XIX. Agnus dei | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Tomáš Kořínek, Tomáš Král | E♭ Minor | 2 | 2A | 98 BPM | ||
| Stabat mater: IV. Quae moerebat et dolebat | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Alexander's Feast, HWV 75, Act I: Aria. He Sung Darius, Great and Good | George Frideric Handel, Miriam Kutrowatz, Ensemble Zefiro, Alfredo Bernardini | E Major | 2 | 12B | 106 BPM |