Ganesh Prasad's ' "Hare Rama Hare Krishna Different 6" was released on its scheduled release date, March 1, 2007. This song appears to be safe for all ages as it is not explicit. The track order of this song in Ganesh Prasad's "Jai Sai Ram Sai Bhajans" album is number 12 out of 12. On top of that, India appears to be the country where this track was created. Based on our statistics, Hare Rama Hare Krishna Different 6's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Hare Rama Hare Krishna Different 6 by Ganesh Prasad to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hari Sthothram | Priya Sisters | D Major | 7 | 10B | 151 BPM | ||
| Ashtothram | T. S. Aswini Sastry, T. S. Rohini Sastry | G Major | 2 | 9B | 98 BPM | ||
| Sree Mookambika Pancharathna Stothram - genre: Sanskrit Devotional | Bombay Sisters | F Major | 4 | 7B | 133 BPM | ||
| Kolu Rannada Kolu | Ganesh Prasad, Savitha Akka | D♭ Minor | 8 | 12A | 75 BPM | ||
| Runmukti Ganesh Stotra | Shubhangi Jhoshi | D♭ Major | 4 | 3B | 83 BPM | ||
| Aata Swami Sukhe Nidra - Shejarati | Ajit Kadkade | A♭ Minor | 8 | 1A | 93 BPM | ||
| Vastu Santi Mantra | Dr. R. Thiagarajan | F♯ Minor | 2 | 11A | 87 BPM | ||
| Yathirai Pathu | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 100 BPM | ||
| Vaikunta Ramananana | G. V. Atri, Chandrika Gururaj, Shamitha Malnad, Shailaja, M.R. Sharat, Ganesh Prasad | C Major | 5 | 8B | 100 BPM | ||
| Hariko Nam | Ganesh Prasad, Nagina Joshi | F♯ Major | 8 | 2B | 103 BPM | ||
| Bhagavad Gita Adhyay, Pt. 17 | Shrirang Bhave | F♯ Major | 4 | 2B | 94 BPM | ||
| Shivaya Shivashankaraya | Prabhakar | B Minor | 6 | 10A | 110 BPM | ||
| Hanumantha Pahi | Narasimha Naik | A♭ Major | 4 | 4B | 171 BPM | ||
| Sod Gabhara Ekda | Anshuman More | A Major | 10 | 11B | 180 BPM | ||
| Nava Kavasam | Bhavadhaarini Anantaraman | G Major | 3 | 9B | 139 BPM | ||
| Aanjaneyar Gayathri | Sivapuranam D. V. Ramani | F Major | 6 | 7B | 88 BPM | ||
| Thoomani Maadathu | V2S2, RAGAMALIKATV | E♭ Minor | 7 | 2A | 186 BPM | ||
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Dhoomra Lochana Vadhaha | S.Prakash Kaushik | C Major | 3 | 8B | 103 BPM | ||
| Vandan Tujla Lambodara | Sachidanand Aappa | F♯ Major | 5 | 2B | 175 BPM | ||
| Annapoorna Stotra | Archana Udupa, Nanditha | G Minor | 3 | 6A | 111 BPM | ||
| Naaraayani Stuti | S.Prakash Kaushik | D Minor | 8 | 7A | 77 BPM | ||
| Murthi Rahsayam | J. Bhaktavatsalam, Ganesan, Na | C Major | 6 | 8B | 167 BPM | ||
| Mavaji Muj Par | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Ganesh Atharvashirsh | Devi Divya Shakti | D♭ Major | 5 | 3B | 104 BPM |