"No Time For Caution (From "Interstellar")" by Anna Lapwood had its release date on April 21, 2023. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anna Lapwood's "Midnight Sessions at the Royal Albert Hall" album is number 5 out of 5. On top of that, United States appears to be the country where this track was created. No Time For Caution (From "Interstellar") is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of No Time For Caution (From "Interstellar") by Anna Lapwood to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ALWAYS WATCHING | Yasuharu Takanashi, Niklas Liepe, Pop-Up, NDR Radiophilharmonie, Michael England | A Minor | 0 | 8A | 84 BPM | ||
| Mad Rush | Philip Glass, Anna Lapwood | D Major | 0 | 10B | 70 BPM | ||
| Four Sea Interludes Op. 33a: I. Dawn - Arr. for Organ by Anna Lapwood | Benjamin Britten, Anna Lapwood | A Minor | 0 | 8A | 133 BPM | ||
| Teil I | Kjartan Sveinsson | C Minor | 3 | 5A | 61 BPM | ||
| The Arctic Suite: V. Polar Winds | Jacob Shea, Eldbjørg Hemsing, Arctic Philharmonic | A Minor | 2 | 8A | 147 BPM | ||
| Musica Universalis | Alex Baranowski, Daniel Hope, Chie Peters, Jacques Ammon, Deutsches Kammerorchester Berlin | A Major | 1 | 11B | 74 BPM | ||
| A Hymn for St Cecilia | Lucy Walker, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge, Molly Hord | F♯ Major | 1 | 2B | 60 BPM | ||
| The Strange One | Abel Korzeniowski | E Minor | 3 | 9A | 171 BPM | ||
| Beginning to End: Act III | Hendyamps Studios | C Minor | 2 | 5A | 83 BPM | ||
| Dreamland | Kristina Arakelyan, Anna Lapwood | G Major | 0 | 9B | 90 BPM | ||
| And the Swallow | Caroline Shaw, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | B♭ Minor | 1 | 3A | 90 BPM | ||
| Earth | Lorne Balfe | F Major | 3 | 7B | 123 BPM | ||
| Against the Atlantic | Jamie Duffy | F♯ Minor | 3 | 11A | 85 BPM | ||
| To Be Sun | Ludovico Einaudi | D Minor | 1 | 7A | 72 BPM | ||
| We Are Back | Jeff Russo | G Major | 1 | 9B | 65 BPM | ||
| Transcendence | Thomas Farnon | E♭ Major | 0 | 5B | 173 BPM | ||
| Epic Church Organ | Rafael Krux | B♭ Major | 1 | 6B | 111 BPM | ||
| Whale Overture | Gabríel Ólafs | D Minor | 2 | 7A | 75 BPM | ||
| Reflections | Alex Baranowski, Jess Gillam, Jess Gillam Ensemble | E Minor | 1 | 9A | 120 BPM | ||
| Allegro Assai | José Manuel Ortega Caballo | E Major | 4 | 12B | 150 BPM | ||
| A Special Purpose | Ramin Djawadi | G Major | 1 | 9B | 66 BPM | ||
| String Quartet No. 3, "Mishima": VI. Mishima / Closing | Philip Glass, The Modern String Quintet | C Minor | 3 | 5A | 72 BPM | ||
| Eleven's Theme | Rob Simonsen | G Major | 1 | 9B | 65 BPM | ||
| The Sound of Silence | Hendyamps Studios, Aimee Norris | C Minor | 2 | 5A | 65 BPM | ||
| Past/Present Suite | Nicholas Britell | B Minor | 2 | 10A | 100 BPM |