On 1992, the song "Cello Concerto in G Major, RV 413 (1992 Digital Remaster): III. Allegro" was released by Pinchas Zukerman, Lynn Harrell, English Chamber Orchestra. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Cello Concerto in G Major, RV 413 (1992 Digital Remaster): III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lynn Harrell's "Haydn & Vivaldi: Cello Concertos" album is number 6 out of 12. In terms of popularity, Cello Concerto in G Major, RV 413 (1992 Digital Remaster): III. Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cello Concerto in G Major, RV 413 (1992 Digital Remaster): III. Allegro by Pinchas Zukerman, Lynn Harrell, English Chamber Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
| Salut d'amour, Op. 12 (Arr. Cullen for Cello and Orchestra) | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
| Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
| Piano Quintet in A Major, D. 667, "The Trout": IV. Thema. Andantino, Allegretto | Franz Schubert, Yefim Bronfman, Pinchas Zukerman | A♭ Major | 0 | 4B | 115 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | ||
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto | Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula | A Major | 1 | 11B | 125 BPM | ||
| Jeux d'enfants, Op. 22: No. 3, La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
| Caprice | Claude Bolling, Pinchas Zukerman | C Major | 2 | 8B | 131 BPM | ||
| In Moonlight | Edward Elgar, Pinchas Zukerman, Royal Philharmonic Orchestra | E Minor | 1 | 9A | 82 BPM | ||
| Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
| Thaïs: Méditation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
| Slavonic Dance (With a Swing) | Claude Bolling, Pinchas Zukerman | G Minor | 5 | 6A | 119 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Pinchas Zukerman, Leonard Slatkin, St. Louis Symphony | E Major | 0 | 12B | 85 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Pinchas Zukerman, Sir Charles Mackerras, London Symphony Orchestra | E Minor | 2 | 9A | 150 BPM | ||
| Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
| Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
| Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (Arr. for Piano by Ignaz Friedman) | Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | E Major | 1 | 12B | 101 BPM | ||
| Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM |