"Mathis Der Maler, 7th Tableau, Scene 1: Ursula...Mein Kind (Regina/Ursula)" by Paul Hindemith, Rafael Kubelík, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Mathis Der Maler, 7th Tableau, Scene 1: Ursula...Mein Kind (Regina/Ursula)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 16 out of 61. On top of that, United Kingdom appears to be the country where this track was created. Mathis Der Maler, 7th Tableau, Scene 1: Ursula...Mein Kind (Regina/Ursula) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mathis Der Maler, 7th Tableau, Scene 1: Ursula...Mein Kind (Regina/Ursula) by Paul Hindemith, Rafael Kubelík, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1 in F Minor, Op. 10: III. Lento - Largo - Lento | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | E Major | 0 | 12B | 76 BPM | ||
| Verklärte Nacht, Op. 4 (Version for String Orchestra): IV. Adagio (Bar 229) | Arnold Schoenberg, Danish National Symphony Orchestra, Fabio Luisi | D Major | 2 | 10B | 79 BPM | ||
| Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | E Major | 1 | 12B | 83 BPM | ||
| Petit Quatour pour Saxophones - Arr. Rainer Schottstadt: 2. Cantilène | Jean Françaix, The Clarinotts | F Minor | 0 | 4A | 134 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento | Béla Bartók, Belcea Quartet | C Major | 0 | 8B | 72 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 1 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Concerto For Oboe And Strings: 2. Minuet & Musette | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 88 BPM | ||
| Piano Quintet in E-Flat Major, Op. 44: I. Allegro brillante | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Symphony No. 1 in E Major, Op. 26: II. Allegro dramatico | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | E Major | 1 | 12B | 83 BPM | ||
| Violin Sonata, FP 119: Allegro con fuoco | Francis Poulenc, Graf Mourja, Alexandre Tharaud | B♭ Minor | 1 | 3A | 124 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Belshazzar's Feast, JS 48: Dodens dans | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | G Minor | 1 | 6A | 115 BPM | ||
| String Quartet No. 2 in A Major, Op. 13: I. Adagio - Allegro vivace | Felix Mendelssohn, Kazakh State String Quartet | A Minor | 1 | 8A | 78 BPM | ||
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM | ||
| Ein Heldenleben, Op. 40, TrV. 190: Des Helden Friedenswerke | Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck | D Major | 1 | 10B | 56 BPM | ||
| Études, CD 143, Livre 1: IV Pour les sixtes (Arr. for Ensemble by Thibault Bertin-Maghit) | Claude Debussy, collectif9 | F♯ Minor | 0 | 11A | 58 BPM | ||
| Overture: Overture | Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo | B Major | 0 | 1B | 112 BPM | ||
| Piano Trio, M. 67: II. Pantoum. Assez vif | Maurice Ravel, Beaux Arts Trio | E Major | 1 | 12B | 83 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Riessler & Bach, JS: Intro / Air from the Orchestral Suite No. 3, BWV 1068 (Arr. Riessler for Clarinet Ensemble) | Johann Sebastian Bach, Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM |