Jamie's Elsewhere's 'I Didn't Mean To Interrupt' had a release date set for May 27, 2008. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jamie's Elsewhere's "Guidebook For Sinners Turned Saints" album is number 2 out of 10. On top of that, United States appears to be the country where this track was created. The popularity of I Didn't Mean To Interrupt is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of I Didn't Mean To Interrupt by Jamie's Elsewhere to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Saturday | Broadway | G Minor | 9 | 6A | 170 BPM | ||
| ifyuocnaraedtihsmkaemeasnadwich | Make Me Famous | G Major | 10 | 9B | 120 BPM | ||
| This Is Redemption, This Is Our Lives Washed Clean | Before Their Eyes | D♭ Minor | 3 | 12A | 173 BPM | ||
| I've Got Ten Friends And A Crowbar That Says You Ain't Gonna Do Jack | Underoath | B Minor | 9 | 10A | 87 BPM | ||
| The Worst Part Is Waking Up | This Romantic Tragedy | A Major | 9 | 11B | 150 BPM | ||
| Imagine | This Romantic Tragedy | D♭ Major | 9 | 3B | 95 BPM | ||
| I'm Not Locked In Here With You, You're Trapped In Here With Me | Us, From Outside | F Minor | 10 | 4A | 95 BPM | ||
| Running With Scissors | Casino Madrid | F Minor | 9 | 4A | 153 BPM | ||
| Watch Me | Kingdom Of Giants | G Major | 10 | 9B | 180 BPM | ||
| Let's Pretend the We're Giants | Jamie's Elsewhere | C Minor | 9 | 5A | 165 BPM | ||
| Ladies & Gentlemen... I Give You Hell | Capture | D Major | 9 | 10B | 140 BPM | ||
| #Winning | That's Outrageous! | B Minor | 10 | 10A | 175 BPM | ||
| Captain Blood | Chunk! No, Captain Chunk! | C Minor | 10 | 5A | 160 BPM | ||
| I'm Gonna Bury You Underground Eli. | We Are Defiance | A♭ Major | 10 | 4B | 75 BPM | ||
| Dead After Dallas | Ten After Two | C Major | 10 | 8B | 102 BPM | ||
| I Thought You'd Be Dead By Now | Us, From Outside | F Minor | 10 | 4A | 160 BPM | ||
| Control | Horizons | F♯ Major | 10 | 2B | 160 BPM | ||
| Since 1776 | I Am Abomination | D Minor | 9 | 7A | 135 BPM | ||
| Pretty/Ugly | Four Letter Lie | A♭ Minor | 9 | 1A | 173 BPM | ||
| Empires | Scarlett O'Hara | F Minor | 10 | 4A | 145 BPM | ||
| All My Friends Are Wild | Adestria | D Major | 10 | 10B | 155 BPM | ||
| A Jury of Wolves | Outline In Color | D♭ Minor | 9 | 12A | 150 BPM | ||
| C'est La Vie | Whether, I | C Minor | 10 | 5A | 135 BPM | ||
| So, Return To The King | We Are Defiance | C Major | 9 | 8B | 135 BPM | ||
| Sounds Delicious | This Romantic Tragedy | A Major | 9 | 11B | 140 BPM |