Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 by Janos Sebestyen, Johann Sebastian Bach Song Details

Janos Sebestyen, Johann Sebastian Bach's ' "Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930" was released on its scheduled release date, February 10, 1993. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Janos Sebestyen's "J. S. Bach: Italian Concerto / Chromatic Fantasia And Fugue / 12 Little Preludes" album is number 16 out of 22. Based on our statistics, Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

BPM and Tempo

We consider the tempo marking of Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 by Janos Sebestyen, Johann Sebastian Bach to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 34%
Loudness: -24.018 dB
Acousticness: 99%
Danceability: 32%
Energy: 24%
Instrumentalness: 90%
Liveness: 16%
Loudness: 60%
Speechiness: 4%
Valence: 60%

Recommendations

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Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro	Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana	A Major	3	11B	131 BPM
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Ich steh mit einem Fuss im Grabe, BWV 156: Sinfonia	Johann Sebastian Bach, Hildegard Laurich, Kurt Equiluz, Wolfgang Schöne, Figuralchor Der Gedächtniskirche Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling	F Major	0	7B	177 BPM
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Flute and Harp Concerto in C Major, K. 299: II. Andantino	Wolfgang Amadeus Mozart, François Leleux, Emmanuel Pahud, Anneleen Lenaerts, Orchestre de chambre de Paris	F Major	1	7B	99 BPM
Viola Concerto in C Minor: II. Adagio molto espressivo	Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens	A♭ Major	2	4B	133 BPM
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3 Romances, Op. 11: No. 1, Andante	Clara Schumann, Isata Kanneh-Mason	E♭ Minor	0	2A	127 BPM
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Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts	Jean-Philippe Rameau, Teodor Currentzis	D♭ Major	1	3B	130 BPM