"Falling" by Mathew Rosenblum, Lindsay Kesselman, Pittsburgh New Music Ensemble, Kevin Noe had its release date on November 9, 2018. This song appears to be safe for all ages as it is not explicit. The track order of this song in Mathew Rosenblum, Various Artists's "Mathew Rosenblum: Lament/Witches' Sabbath" album is number 3 out of 4. Falling is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Falling by Mathew Rosenblum, Lindsay Kesselman, Pittsburgh New Music Ensemble, Kevin Noe to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rhythm Song | Paul Smadbeck, Evelyn Glennie, Barry Wordsworth | A♭ Minor | 0 | 1A | 103 BPM | ||
| Music for 18 Musicians: Section II | Steve Reich, Colin Currie, Colin Currie Group, Synergy Vocals | A Major | 2 | 11B | 100 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: II. Allegro vivace | Oskar Böhme, Center City Brass Quintet, Jack Sutte | C Minor | 1 | 5A | 156 BPM | ||
| Good Yawning | Sounds of Servus, Federspiel | D♭ Major | 1 | 3B | 125 BPM | ||
| Dances: No. 1, Darkness (Cadenza). Under the Cajun Moon | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E Major | 0 | 12B | 121 BPM | ||
| Le Tombeau de Couperin: Prélude. Vif | Maurice Ravel, Andrew Litton, Branford Marsalis, English Chamber Orchestra | A♭ Major | 0 | 4B | 135 BPM | ||
| Missa Pax: IV. Interlude | Timothy Corlis, James Campbell, Michael Bloss | E Major | 0 | 12B | 85 BPM | ||
| Oboe Sonata, FP 185: III. Déploration | Francis Poulenc, Alex Klein, Phillip Bush | F♯ Minor | 2 | 11A | 136 BPM | ||
| Withering Hope | Orithia | E Major | 7 | 12B | 102 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| We Lived Happily During the War: No. 3, The Loneliness One Dare Not Sound | Mathew Rosenblum, Talujon Percussion Quartet | A Minor | 0 | 8A | 104 BPM | ||
| Donnacha Dennehy: Land of Winter: IV. March | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | D Minor | 4 | 7A | 97 BPM | ||
| Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
| 3 Postludien: Postludium No. 3 | Valentin Silvestrov, Matt Haimovitz, Nadia Shpachenko | D Major | 0 | 10B | 127 BPM | ||
| Shaker Loops: Hymning Slews (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM | ||
| Turangalîla-Symphonie: VIII. Développement de l'amour | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Runner: III. Quarters | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | A♭ Major | 2 | 4B | 99 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | E Major | 0 | 12B | 121 BPM | ||
| Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
| Agon, Ballet, K88: IIb. Pas de trois I. Sarabande-Step | Igor Stravinsky, Ilan Volkov, BBC Scottish Symphony Orchestra | F Major | 0 | 7B | 92 BPM | ||
| The Big Rip (A Science Fiction Cantata): VII. Last Contact | Mathew Rosenblum, Various Artists | F Minor | 1 | 4A | 91 BPM | ||
| Nightsongs | Richard Peaslee, Joseph Foley, Bonnie Anderson | G Minor | 1 | 6A | 104 BPM | ||
| Double Bass Concerto in G Major, D. 290: I. Adagio | Domenico Dragonetti, Ubaldo Fioravanti, Padova e del Veneto Orchestra, Claudio Martignon | G Major | 0 | 9B | 81 BPM | ||
| Turangalîla-Symphonie: III. Turangalîla 1 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Críptico No. 9 | Iván Enrique Rodríguez, Eric Schultz | A Minor | 1 | 8A | 88 BPM |