"The Big Rip (A Science Fiction Cantata): VII. Last Contact" by Mathew Rosenblum, Various Artists had its release date on September 1, 2012. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mathew Rosenblum, Various Artists's "Mathew Rosenblum: Circadian Rhythms" album is number 15 out of 18. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Big Rip (A Science Fiction Cantata): VII. Last Contact is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Big Rip (A Science Fiction Cantata): VII. Last Contact by Mathew Rosenblum, Various Artists to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Under the Rainbow for flute and electronics | Patti Monson | B♭ Minor | 2 | 3A | 106 BPM | ||
| Blues Symphony: I. Born in Hope | Wynton Marsalis, Detroit Symphony Orchestra, Jader Bignamini | C Major | 2 | 8B | 85 BPM | ||
| Tuba Concerto in F Minor: III. Finale. Rondo alla tedesca | Ralph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | A Major | 3 | 11B | 102 BPM | ||
| Katamiya | Anne-Julie Caron | G Minor | 7 | 6A | 107 BPM | ||
| Canto Ostinato: Coda | Simeon ten Holt, Aart Bergwerff, Eric Vloeimans | B♭ Minor | 1 | 3A | 147 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: I. Allegro | Béla Bartók, Belcea Quartet | B Minor | 0 | 10A | 78 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | ||
| String Quartet No. 6 (2001): IV. | Rudolf Kelterborn, Amaryllis Quartett | A Major | 3 | 11B | 102 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Tableaux de Provence: II. Cansoun per ma Mio | Paule Maurice, Dominic Childs, Simon Callaghan | G Major | 0 | 9B | 65 BPM | ||
| Concerto funebre: I. Introduction. Largo - Live | Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra | F Major | 1 | 7B | 61 BPM | ||
| Hindemith: Trumpet Sonata: I. Mit Kraft | Paul Hindemith, Alison Balsom | D Major | 1 | 10B | 119 BPM | ||
| Nü Kuan Tzu: III. Interlude 1 | Mathew Rosenblum, Mary Nessinger, Kristin Norderval, Brad Lubman | B Minor | 1 | 10A | 173 BPM | ||
| Altar de Viento: IV. Tornado | Gabriela Ortiz, Orquesta Sinfónica de Heredia, Alejandro Escuer, Eddie Mora | C Minor | 3 | 5A | 132 BPM | ||
| In the Wake of the Flames for Bassoon Sextet | Nikolas Eleftheriou | B♭ Minor | 0 | 3A | 67 BPM | ||
| Signs, Games and Messages: Árnyak (Shadows) | György Kurtág, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | A Major | 3 | 11B | 102 BPM | ||
| Kentaur | Simon Zöchbauer, Federspiel | A Major | 3 | 11B | 102 BPM | ||
| Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | ||
| Rhythm Song | Paul Smadbeck, Evelyn Glennie, Barry Wordsworth | A♭ Minor | 0 | 1A | 103 BPM | ||
| Good Yawning | Sounds of Servus, Federspiel | D♭ Major | 1 | 3B | 125 BPM | ||
| Takemitsu: Romance | Toru Takemitsu, Kenji Miura | B♭ Major | 1 | 6B | 102 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Visions, Pt. 2 "Winter": Picture 2 | Tomasz Trzcinski | D♭ Major | 1 | 3B | 68 BPM |