"えびがはねたよ" by 田中信昭, 東京混声合唱団, 田中瑤子 had its release date on January 22, 1997. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. えびがはねたよ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 日本合唱曲全集 三善 晃 作品集3, so we believe that "えびがはねたよ" is a single. In terms of popularity, えびがはねたよ is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of えびがはねたよ by 田中信昭, 東京混声合唱団, 田中瑤子 is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 舞台 - 2025 Live | Tokyo Philharmonic Orchestra | A♭ Major | 1 | 4B | 126 BPM | ||
| 合唱のためのコンポジション 第1番 混声合唱のためのコンポジション II. | Michio Mamiya, 東京混声合唱団, 田中信昭 | D♭ Minor | 1 | 12A | 141 BPM | ||
| Sambika Dai 112 Ban Morobito Kozorite | Shin Nihon Gasshodan | E♭ Major | 8 | 5B | 132 BPM | ||
| 道標(みち) (混三) | 清水宏美, 柴山正雄, 大関悦子, 水の輪混声合唱団 | D Major | 1 | 10B | 81 BPM | ||
| Londonderry Air | London Philharmonic Choir | E♭ Major | 0 | 5B | 75 BPM | ||
| Le nozze di Figaro, K. 492: "Porgi Amor" | Paris Faith Winter, Tammy L. Hall | E♭ Major | 0 | 5B | 139 BPM | ||
| The Pasture - Randall Thompson | Randall Thompson, Exultate | F Major | 0 | 7B | 73 BPM | ||
| The Salley Gardens | Benjamin Britten, Karla Haltenwanger, Andrè Schuen | B♭ Major | 1 | 6B | 74 BPM | ||
| 讃美歌第121番「まぶねのなかに」 | 新日本合唱団 | F Major | 2 | 7B | 95 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| The Dress Rehearsal Of "Hannibal" | Gekidan Shiki Long-Run Cast, Andrew Lloyd Webber | D Major | 6 | 10B | 77 BPM | ||
| 女声合唱のための 「三つの夜想」 淡いものに | 田中信昭, 東京混声合唱団, 田中瑤子 | F♯ Major | 1 | 2B | 97 BPM | ||
| 遠い日の歌 [混声三部] | 下田正幸, コール・フロイント | B Major | 1 | 1B | 74 BPM | ||
| Che fiero costume | Giovanni Legrenzi, Holly Bewlay, Sarah Rhee | G Minor | 1 | 6A | 107 BPM | ||
| Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
| Piccola reminiscenza | Giacomo Cataldo | B♭ Minor | 1 | 3A | 92 BPM | ||
| 混声合唱組曲「五つの童画」 IV. 砂時計 | 髙田 敏子, Akira Miyoshi, 東京混声合唱団, 田中信昭, 中嶋香 | F Minor | 0 | 4A | 126 BPM | ||
| Aaria, Sairasten Parantaja (Myrskyn Keskellä) | Sirkka Rautakoski | C Minor | 1 | 5A | 76 BPM | ||
| 混声合唱のための組曲「蔵王」どっこ沼 | 田中信昭, 東京混声合唱団, 本荘玲子 | D Major | 0 | 10B | 83 BPM | ||
| オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より | 蒲原史子 | A Major | 1 | 11B | 85 BPM | ||
| ほらね、(テノール) | まつしたこう, 梅崎英行, 沼田臣矢, 福永一博, ピアノ:山内知子 | D♭ Major | 1 | 3B | 80 BPM | ||
| Regina coeli, K. 108: Regina coeli, K. 276 | Wolfgang Amadeus Mozart, Lenneke Ruiten, Uta Christina Georg, Daniel Behle, Johannes Martin Kränzle, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 0 | 5B | 68 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Helsinki Philharmonic Orchestra, Leif Segerstam | F Major | 0 | 7B | 84 BPM | ||
| Papuri Sa Diyos | Alejandro D. Consolacion II, Sto. Niño de Malolos Festival Chorus, Pifferari, Lawrence Jatayna, Franz Ramirez | B♭ Major | 2 | 6B | 124 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A♭ Major | 1 | 4B | 126 BPM |