On December 20, 2024, the song "Harikertan Hare Krishna" was released by Kumar Arjun. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kumar Arjun's "Harikertan Hare Krishna" album is number 1 out of 7. Based on our statistics, Harikertan Hare Krishna's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Harikertan Hare Krishna by Kumar Arjun to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dighadiye Di Ughadiyo Shaktimaa | Mathur Kanjariya, Meena Patel | A♭ Major | 10 | 4B | 111 BPM | ||
| Hare Rama Hare Krishna | Kumar Arjun | F♯ Major | 8 | 2B | 110 BPM | ||
| Ka Ham Chali Ye Sasu Anchal Sambhal Ke | Karina Panday, Sovita Pandey | E♭ Major | 9 | 5B | 173 BPM | ||
| Pappu Kaay Ke Lane Jag Rayo Bundeli Hasya Lokgeet | JaiSingh Raja, Veena Pandit | F♯ Major | 8 | 2B | 80 BPM | ||
| Hai Jindagi Kitani Khubsurat | Kumar Satyamm | A♭ Major | 9 | 4B | 117 BPM | ||
| श्री राम जानकी बैठे हैं मेरे सीने में | Shradhey Gaurav Krishna Goswami Ji | A Major | 9 | 11B | 99 BPM | ||
| Siya Ram Ji Ke Charnon Ke Das | Kanhaiya Mittal | B Major | 8 | 1B | 138 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Janni Nithoor Bisrayih Na Lalanwa | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Racha Hain Shristi | Rajeev Singh | E Major | 9 | 12B | 173 BPM | ||
| Hare Rama O Dil Tod Ke Hasti Ho Mera Kirtan Bhajan | Kumar Arjun | F♯ Major | 7 | 2B | 118 BPM | ||
| Awadh Mein Aaye Hai Shree Ram | Rajni Rajasthani | B Minor | 7 | 10A | 132 BPM | ||
| Subh Subh Ke Laganma | Poonam Mishra | D♭ Major | 7 | 3B | 114 BPM | ||
| Le Le Aih Humre Raja Ji | Devi | D♭ Major | 5 | 3B | 154 BPM | ||
| Bewafa Dulhan | Parmod Kumar Ajmeriya | B♭ Minor | 8 | 3A | 116 BPM | ||
| Jogi Khadya Dware | Sumit Kalanaur | F Major | 9 | 7B | 119 BPM | ||
| Chokari Pate Gai Mari Style Ma | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | F♯ Major | 7 | 2B | 57 BPM | ||
| Ae Meri Dil Lagi | Guddi Gilahari | C Major | 7 | 8B | 163 BPM | ||
| Sai Sevakchi Palkhi Chalali Shirdi Gavi | Jayesh Parab | A♭ Major | 9 | 4B | 180 BPM | ||
| Shor Is Darja Machane Ki | Kumar Satyamm | D♭ Major | 7 | 3B | 139 BPM | ||
| Yaad Badi Tu Aavelu | Radhe Shyam Rasiya | A♭ Minor | 7 | 1A | 76 BPM | ||
| Sakha Sab Prem Se Bolo | Pammi Thakur | G Major | 9 | 9B | 154 BPM | ||
| Meri Maa Ne Bulaya Hai | Kumar Satyamm, Abhay Kumar Rai, Kulldeep Sandhu | A Major | 7 | 11B | 140 BPM | ||
| Aeva Aesa Ne Albela | Gopal Sadhu | A Minor | 9 | 8A | 93 BPM | ||
| Adbhut Harikirtan | Kumar Arjun | G Major | 6 | 9B | 145 BPM |