Prem Nath, Surendra, Mohammed Rafi's ' "Itne Bade Bhagwan Dila De Makan" was released on its scheduled release date, December 31, 1950. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Vasant Desai, S. R. Saaz, Dewan Sharar's "Hindustan Humara" album is number 3 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Itne Bade Bhagwan Dila De Makan is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Itne Bade Bhagwan Dila De Makan by Prem Nath, Surendra, Mohammed Rafi to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Isharon Isharon Men Dil Lenewale | Asha Bhosle, Mohammed Rafi | F Major | 4 | 7B | 137 BPM | ||
| Surode Shabaangaah | Ahmad Zahir | E♭ Minor | 5 | 2A | 105 BPM | ||
| Tumse Achchha Kaun Hai | Mohammed Rafi | A Minor | 6 | 8A | 159 BPM | ||
| Har Koi Hai Yahan Niyati Ke Hathon Ka Khilona - REMASTERED | Ravindra Jain | A Minor | 5 | 8A | 87 BPM | ||
| Ke Patiya Lay Jayat Re | Rajni Pallavi | B♭ Minor | 5 | 3A | 110 BPM | ||
| Piya Chhod Gaye Dil Tod Gaye | Rajeev Singh | C Minor | 10 | 5A | 97 BPM | ||
| Pibare Rama Rasam | Sri Sathya Sai Bhajans | B♭ Minor | 8 | 3A | 140 BPM | ||
| Jai Jai Mahalaxmi Mata - REMASTERED | Ravindra Jain, Suresh Wadkar, Sadhna Sargam | F Minor | 9 | 4A | 80 BPM | ||
| Lokpujita Mata | Ravindra Jain, Hemlata | F Minor | 9 | 4A | 80 BPM | ||
| Chal Diye Bande Nawaz | Geeta Dutt, Mohammed Rafi | G Major | 4 | 9B | 80 BPM | ||
| Bahot Mayoos Ho Kar | M. Jeevan | F♯ Major | 3 | 2B | 127 BPM | ||
| Ni Sultana Re | Lata Mangeshkar, Mohammed Rafi, R. D. Burman | D Major | 3 | 10B | 88 BPM | ||
| Tera Khana Kharab - Sawal | Chhote Yusuf Azad | G Major | 5 | 9B | 99 BPM | ||
| Shudam Deewana | Ahmad Zahir | A Minor | 5 | 8A | 82 BPM | ||
| Tu Chhupi Hai Kahan | Manna Dey, Asha Bhosle | F Minor | 9 | 4A | 80 BPM | ||
| Commentery | Narendra Singh Negi, Anuradha Nirala, Meena Rana | F♯ Minor | 3 | 11A | 110 BPM | ||
| Shabnam Ke Ansoo Phool Par | Talat Aziz | E Minor | 4 | 9A | 138 BPM | ||
| Prabhu Tumhari Daya Se | Vishnupant Pagnis, Shyama | B♭ Major | 2 | 6B | 73 BPM | ||
| Shanidevni Aarti | Anuradha Paudwal | F Minor | 4 | 4A | 91 BPM | ||
| Bandhu Re Mere Bandhu Re | Gulab Bai, Ishwarlal, Kantilal | A♭ Minor | 2 | 1A | 109 BPM | ||
| Chet Re Nar Chet | Bhawani Sk | G Major | 6 | 9B | 152 BPM | ||
| Inse Bachke Rahiyo Re Superhits Bundeli Rai | Raju Patel, Dhaniram Sen | C Major | 10 | 8B | 126 BPM | ||
| Sun Lo Bholenath | Rudraa | D♭ Major | 8 | 3B | 147 BPM | ||
| Tere Ghat me viraje bhagwan sant Rajuram | Sant Rajuram Ji | B Major | 7 | 1B | 101 BPM | ||
| Bundeli Chhand Bhaaag | Soniya Studio, Ramrati kushwaha, mohan kushwaha | F♯ Minor | 5 | 11A | 111 BPM |