"Lidice" by Alan Bush, Londinium, Andrew Griffiths had its release date on March 16, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "The Gluepot Connection". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Lidice's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lidice by Alan Bush, Londinium, Andrew Griffiths having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): III. Ritmo Genésico | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM | ||
| Strauss, R: Ein Heldenleben, Op. 40: II. Des Helden Widersacher | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker, Guy Braunstein | E♭ Major | 0 | 5B | 83 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: IV. Nocturne. Adagio | Dmitri Shostakovich, Cuarteto Casals | D Minor | 1 | 7A | 94 BPM | ||
| Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo | Johannes Brahms, Bergen Philharmonic Orchestra, Edward Gardner | E Minor | 1 | 9A | 127 BPM | ||
| Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | F Major | 1 | 7B | 81 BPM | ||
| Quatuor en Fa Majeur, M. 35: I. Allegro moderato | Maurice Ravel, Jerusalem Quartet | F Major | 1 | 7B | 92 BPM | ||
| V. Elegi. Till Carin, min hustru (Elegy. To Carin, my wife) | Hugo Alfvén, Gothenburg Symphony Orchestra, Neeme Järvi | D Minor | 1 | 7A | 94 BPM | ||
| Piano Trio No. 3 in A Minor, Op. 26: I. Allegro appassionato | Édouard Lalo, Trio Wanderer | D Minor | 1 | 7A | 94 BPM | ||
| Symphony No. 6 in A Major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell – Bedeutend langsamer – Tempo primo | Anton Bruckner, Berliner Philharmoniker, Mariss Jansons | A Major | 1 | 11B | 136 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Symphony No. 1, GMW 11: IVc. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | ||
| Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Andante con moto. Variation V | Franz Schubert, Quatuor Arod | B Minor | 1 | 10A | 71 BPM | ||
| Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso | Antonín Dvořák, Czech Philharmonic, Semyon Bychkov | B♭ Major | 1 | 6B | 105 BPM | ||
| Soir et matin, Op. 76: II. Matin | Mel Bonis, Neave Trio | D♭ Major | 0 | 3B | 90 BPM | ||
| Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Schumann, Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 0 | 6B | 60 BPM | ||
| Lyric Interlude, Op. 26: IV. Come primo | Alan Bush, Adam Summerhayes, Catherine Summerhayes | E Minor | 1 | 9A | 99 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | D Minor | 1 | 7A | 94 BPM | ||
| Variations for Orchestra, Op. 31: Introduktion | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 133 BPM | ||
| Violin Concerto, Op. 32: II. Andante espressivo | Alan Bush, Manoug Parikian, BBC Symphony Orchestra, Norman Del Mar | A Minor | 0 | 8A | 66 BPM | ||
| Die Walküre, WWV 86B, Act I: Prelude - Thunderstorm, Sieglinde offers Shelter to Siegmund (Reworked by Joseph Swensen) | Richard Wagner, Orchestre National Bordeaux Aquitaine, Joseph Swensen | B♭ Major | 0 | 6B | 131 BPM | ||
| Chopin: Piano Concerto No. 1 in E Minor, Op. 11: I. Allegro maestoso, Pt. 2 | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | E Minor | 1 | 9A | 88 BPM | ||
| Serenade for Strings in C, Op. 48: 4. Finale (Tema russo): Andante - Allegro con spirito | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Semyon Bychkov | B♭ Minor | 0 | 3A | 66 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: IV. Eintritt in den Wald | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | B♭ Minor | 0 | 3A | 82 BPM | ||
| Wagner: Die Meistersinger von Nürnberg, Act 1: Prelude | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker | D Minor | 1 | 7A | 94 BPM |