Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre by Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson Song Details

"Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre" by Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson had its release date on February 1, 2026. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Strauss: Der Bürger als Edelmann & Metamorphosen". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre by Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 21%
Loudness: -24.871 dB
Acousticness: 98%
Danceability: 20%
Energy: 6%
Instrumentalness: 84%
Liveness: 23%
Loudness: 59%
Speechiness: 4%
Valence: 8%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite, Op. 157b: I. Ouverture	Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes	D♭ Major	0	3B	66 BPM
Variations for Orchestra, Op. 31: Variation IV. Walzertempo	Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko	A♭ Major	1	4B	108 BPM
Ma mère l'Oye, M. 62: VII. Apothéose. Le jardin féerique	Maurice Ravel, Orchestre National De France, Cristian Măcelaru	D♭ Minor	3	12A	172 BPM
Symphony No. 5 in D Major: II. Scherzo. Presto misterioso	Ralph Vaughan Williams, Antonio Pappano, London Symphony Orchestra	A Minor	1	8A	107 BPM
Aria	Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić	G Minor	1	6A	76 BPM
Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis)	Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic	E♭ Major	0	5B	73 BPM
Tandem: III. Rustico	Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson	F♯ Minor	1	11A	74 BPM
Symphony No. 1 in E Major, Op. 26: I. Lento	Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi	B♭ Minor	2	3A	86 BPM
Don Quixote, Op. 35: VIII. Var. 5, Don Quixote's Vigil. Sehr langsam	Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan	E♭ Major	3	5B	102 BPM
String Octet in C Major, Op. 7 (Version for String Orchestra): I. Très modéré	George Enescu, Tabea Zimmermann, Ensemble Resonanz	E♭ Major	0	5B	78 BPM
Fastnachts-Sinfonie: Allegro	Richard Flury, BBC Symphony Orchestra, Paul Mann	G Minor	1	6A	76 BPM
Variations for Orchestra, Op. 31: Variation V. Bewegt	Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko	A♭ Major	3	4B	84 BPM
String Quartet No. 15 in E-Flat Minor, Op. 144: VI. Epilogue. Adagio	Dmitri Shostakovich, Cuarteto Casals	G Minor	1	6A	76 BPM
Symphony No. 4, Op. 29 "The Inextinguishable": I. Allegro	Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi	A Major	2	11B	82 BPM
The Firebird, K10: I. Introduction	Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä	E Major	0	12B	54 BPM
Cello Sonata, FP 143: IV. Finale. Largo, très librement – Presto subito – Largo	Francis Poulenc, Lidy Blijdorp, Pascal Rogé	G Minor	1	6A	76 BPM
The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree	Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu	B♭ Major	0	6B	86 BPM
Liebermann: Gargoyles, Op. 29: II. Adagio semplice, ma con molto rubato	Lowell Liebermann, Stephen Hough	A♭ Major	0	4B	99 BPM
Brian: Symphony No. 7 in C Major: II. Allegro maestoso ma moderato	Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras	G Minor	1	6A	76 BPM
Symphony No. 1 in E Major, Op. 26: III. Lento	Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi	B♭ Minor	2	3A	86 BPM
Kodály: Intermezzo for String Trio	Zoltán Kodály, Domus	D Minor	1	7A	88 BPM
Clarinet Sonata No. 2, Op. 120 No. 2: I. Allegro amabile	Johannes Brahms, Nicola Boud, Anthony Romaniuk	A♭ Major	1	4B	134 BPM
Serenade in G Major: II. Air. Lento, ma non troppo (Original Version)	Ernest John Moeran, Ulster Orchestra, Joann Falletta	B♭ Major	3	6B	156 BPM
Symphony No. 5 in D Minor, Op. 47: II. Allegretto	Dmitri Shostakovich, Frankfurt Radio Symphony Orchestra, Alain Altinoglu	B♭ Major	2	6B	125 BPM
Smetana: Piano Trio in G Minor, Op. 15: III. Finale. Presto	Bedřich Smetana, Trio Bohémo	E♭ Major	1	5B	77 BPM