Benjamin Britten, Toronto Children's Chorus's ' "Three Two-part Songs - The Ship Of Rio" was released on its scheduled release date, 1991. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Benjamin Britten, Toronto Children's Chorus's "Mostly Britten" album is number 17 out of 37. On top of that, Canada appears to be the country where this track was created. Three Two-part Songs - The Ship Of Rio is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Three Two-part Songs - The Ship Of Rio by Benjamin Britten, Toronto Children's Chorus to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aladdin Suite, Op. 34, FS 89: V. The Marketplace in Isaphan | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | G Major | 2 | 9B | 119 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | G Major | 0 | 9B | 91 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| The Seasons, Op.67: 1. Winter | Alexander Glazunov, Royal Philharmonic Orchestra, Vladimir Ashkenazy | F♯ Major | 1 | 2B | 94 BPM | ||
| Le tombeau de Couperin, M. 68: II. Fugue (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | G Major | 0 | 9B | 91 BPM | ||
| 5 Lieder, Op. 49: No. 4, Wiegenlied "Guten Abend, gut Nacht" (Transcr. Gottwald for Choir) | Johannes Brahms, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 104 BPM | ||
| Messa di Gloria, Op.posth.: Kyrie: Kyrie eleison, Christe eleison | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 1 | 8B | 65 BPM | ||
| String Symphony No. 5 in B-Flat Major, MWV N5: II. Andante | Felix Mendelssohn, English String Orchestra, William Boughton | G Major | 0 | 9B | 83 BPM | ||
| Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 108 BPM | ||
| Requiem in C Minor: VII. Agnus Dei | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 85 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
| Requiem, Op.48: 2. Offertorium: Domine Jesu Christe | Gabriel Fauré, Gilles Cachemaille, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 0 | 10B | 80 BPM | ||
| Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Minor | 1 | 8A | 92 BPM | ||
| To the Hands: No. 4, Ever Ever Ever | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | A Minor | 1 | 8A | 111 BPM | ||
| 3 Six-Part Choirs, Op.39: II. Abendlied | Max Reger, The Rodolfus Choir, Ralph Allwood, Ben Parry | G Major | 0 | 9B | 91 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Deniel Perer | E Minor | 1 | 9A | 93 BPM | ||
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| War Requiem, Op. 66 / Dies irae: IIa. Dies irae | Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra | G Major | 1 | 9B | 81 BPM | ||
| Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
| Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
| Bernstein: Divertimento for Orchestra: V. Turkey Trot | Leonard Bernstein, Paavo Järvi, City Of Birmingham Symphony Orchestra | C Major | 0 | 8B | 95 BPM | ||
| The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
| Nocturnes, L. 91: 3. Sirènes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton | F♯ Major | 1 | 2B | 93 BPM | ||
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM |