Franco Corelli, Orchestra, Franco Ferraris's ' "Addio, mia bella Napoli" was released on its scheduled release date, 1996. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 45 in the song's album "Neapolitan Songs, Sacred Songs & Arias". In this album, this song's track order is #23. In terms of popularity, Addio, mia bella Napoli is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Addio, mia bella Napoli by Franco Corelli, Orchestra, Franco Ferraris having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| D'Hardelot / Arr. Schifrin: A Tribute to Hollywood: Because (Live) | Guy d'Hardelot, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | D Major | 3 | 10B | 86 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Bellini: Norma, Act 1: "Oh, di qual sei tu vittima" (Norma, Adalgisa, Pollione) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Franco Corelli, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 85 BPM | ||
| Pietà Signore: Aria di chiesa | Franco Corelli | D Minor | 2 | 7A | 129 BPM | ||
| Il bacio | Luigi Arditi, Edita Gruberova, Radio Sinfonieorchester Stuttgart des SWR, Kurt Peter Eichhorn | G Major | 1 | 9B | 172 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | ||
| Carmen, Act IV: Qu'avez-vous fait de la Carmencita? – March & Chorus. Les voici! les voici! | Georges Bizet, Jean-Noel Sissia, Isabelle Karajan, David Clair, Claudine Coster, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben, Choeur de l'Opéra de Paris, Walter Hagen-Groll | F Minor | 1 | 4A | 95 BPM | ||
| Pecchè? | Gaetano Pennino, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | G Major | 2 | 9B | 176 BPM | ||
| Luisa Fernanda, Acto i: Romanza de Javier | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | E♭ Minor | 3 | 2A | 97 BPM | ||
| Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Franco Corelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | B Minor | 1 | 10A | 84 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
| I Pagliacci, Act I Scene 2: Vesti la giubba | Lucine Amara, Franco Corelli, Tito Gobbi, Lovro Von Matacic | E Major | 2 | 12B | 80 BPM | ||
| Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
| Puccini : Tosca : Act 2 "Vissi d'arte" [Tosca] | Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica | E Major | 1 | 12B | 106 BPM | ||
| I' Te Vurria Vasa! | Franco Corelli | D Minor | 2 | 7A | 129 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Bravo, bravo, Don Pasquale" (Malatesta, Norina, Ernesto, Pasquale, Coro) | Gaetano Donizetti, Riccardo Muti, Ambrosian Opera Chorus, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
| Fedora: Fedora, Act II: Amor ti vieta | Umberto Giordano, Orchestra Sinfonica Nazionale della RAI di Torino, Franco Corelli, Arturo Basile | C Major | 3 | 8B | 65 BPM | ||
| Adriana Levouvreur. Act I: La dolcissima effige | Francesco Cilea, Franco Corelli, Alfredo Simonetto, Orchestra Sinfonica Di Torino Della Rai | A♭ Major | 2 | 4B | 97 BPM | ||
| Macbeth, Act IV: Recit. O figli miei – Aria. Ah, la paterna mano | Giuseppe Verdi, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Minor | 2 | 7A | 129 BPM | ||
| Ave Maria: Tortorella | Franco Corelli | D Minor | 2 | 7A | 129 BPM | ||
| Bellini: I Capuleti e i Montecchi, Act 1 Tableau 1 Scene 6: "Vieni, ah! vieni, e in me riposa … Cedi, ah! cedi un sol momento" (Romeo, Giulietta) | Vincenzo Bellini, Janet Baker, Giuseppe Patanè, New Philharmonia Orchestra | G Major | 1 | 9B | 0 BPM | ||
| Giordano: Andrea Chénier, Act 1: "Colpito qui m'avete … Un dì all'azzurro spazio" (Chénier) | Umberto Giordano, Franco Corelli, Antonietta Stella, Coro e Orchestra del Teatro dell'Opera, Roma, Gabriele Santini, Mario Sereni, Paolo Pedani, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 69 BPM | ||
| Ave Maria: Inno alla vergine | Franco Corelli | D Minor | 2 | 7A | 129 BPM | ||
| E Lucevan Le Stelle | Mario Lanza | B Minor | 3 | 10A | 127 BPM |