- BPM
- 80
- Key
- D Major
- Camelot
- 10B
DANCE OF THE SKELETONS by Camille Saint-Saëns, Liberace Song Details
Camille Saint-Saëns, Liberace's 'DANCE OF THE SKELETONS' had a release date set for June 2, 2004. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "The Golden Age of Television Vol. 3 - Liberace Plays the Classics". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. DANCE OF THE SKELETONS is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With DANCE OF THE SKELETONS by Camille Saint-Saëns, Liberace having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -10.204 dB
- Acousticness
- 98%
- Danceability
- 32%
- Energy
- 61%
- Instrumentalness
- 80%
- Liveness
- 67%
- Loudness
- 83%
- Speechiness
- 3%
- Valence
- 25%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | |
 | Fauré: Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | |
 | Orphée Suite: VI. Orphée's Return | Philip Glass, Paul Barnes | F Major | 1 | 7B | 127 BPM | |
 | Liebestraum No. 3 in A-Flat Major, S. 541 / 3 | Franz Liszt, Lang Lang | A♭ Major | 0 | 4B | 137 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | |
 | Pavane for a Dead Princess | Philharmonic Orchestra, Stephanie Chase, Han De Vries, Geoffrey Simon | G Major | 0 | 9B | 73 BPM | |
 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Paul Lewis | D♭ Minor | 0 | 12A | 172 BPM | |
 | Gnossienne: No. 2 | Erik Satie, Alexandre Tharaud | D Minor | 0 | 7A | 71 BPM | |
 | Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | |
 | Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | |
 | Erik Satie: Gymnopédie No. 1 | Pyotr Godunov, Nokaru | G Major | 0 | 9B | 138 BPM | |
 | 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | |
 | Le carnaval des animaux, R. 125: I. Introduction et marche royale du lion | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | G Major | 2 | 9B | 82 BPM | |
 | Gnossienne No. 1 - Excerpt | Erik Satie, Jean-Yves Thibaudet | F Minor | 0 | 4A | 74 BPM | |
 | Filma Solo | Gabríel Ólafs | B♭ Major | 0 | 6B | 161 BPM | |
 | Sicilienne, Op. 78 (arr. for flute and harp) | Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 153 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | |
 | The Four Seasons: Concerto No. 2 in G Minor, RV 315 "L'estate" (summer): III. Presto | Antonio Vivaldi, Adrian Chandler, La Serenissima | G Major | 5 | 9B | 157 BPM | |
 | Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | |
| Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | |
 | Matthäus-Passion, BWV 244: Erbarme dich mein Gott | Yo-Yo Ma, Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra | B♭ Minor | 1 | 3A | 91 BPM |
- ISRC
- US4R30504809
- Label
- L-M Records/RCA Records