"Music For Dialogues - Voice" by Elliot Goldenthal had its release date on July 3, 2001. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Music For Dialogues - Voice's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 18 in Final Fantasy - Original Motion Picture Soundtrack by Elliot Goldenthal. Music For Dialogues - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Music For Dialogues - Voice by Elliot Goldenthal is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il Postino (Titoli) | Luis Bacalov | C Major | 1 | 8B | 85 BPM | ||
| With Wand'ring Steps [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | G Minor | 1 | 6A | 127 BPM | ||
| Flying Over Africa | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| Un air de liberté | Khaled Mouzanar | C Minor | 3 | 5A | 110 BPM | ||
| World To Come, Pt. 4 | David Lang, Maya Beiser | D Minor | 1 | 7A | 74 BPM | ||
| Jusqu'au bout | Armand Amar | G Minor | 1 | 6A | 180 BPM | ||
| Musica Ricercata, II - Mesto, rigido e cerimoniale | Dominic Harlan | G Minor | 0 | 6A | 76 BPM | ||
| Cartas Pietro | Camilo Sanabria | E Minor | 0 | 9A | 135 BPM | ||
| Song of Transference and End Credits | Junkie XL | G Minor | 2 | 6A | 84 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM | ||
| On Y Va | Pascal Gaigne | C Minor | 2 | 5A | 174 BPM | ||
| Frida, Themes: I. Solo Tu (Arr. for Guitar Quartet) | Elliot Goldenthal, Aquarelle Guitar Quartet | F Major | 1 | 7B | 86 BPM | ||
| In Bicicletta | Luis Bacalov | A Major | 2 | 11B | 106 BPM | ||
| La stanza del figlio | Nicola Piovani | A♭ Major | 1 | 4B | 96 BPM | ||
| The Lie | Alex Weston | D Minor | 1 | 7A | 81 BPM | ||
| Avarice | Hans Zimmer, The Lyndhurst Orchestra, Gavin Greenaway | D Minor | 2 | 7A | 127 BPM | ||
| Seville | Hans Zimmer | E Minor | 5 | 9A | 106 BPM | ||
| Dirty War | Bryce Dessner | F Minor | 2 | 4A | 120 BPM | ||
| La notte di San Lorenzo | Nicola Piovani | A Minor | 0 | 8A | 123 BPM | ||
| El Antifaz | Liberación, Miguel Galindo, Alejandro Marehuala, Gerardo Garcia | B Minor | 3 | 10A | 122 BPM | ||
| Walls | Bryce Dessner | F Minor | 1 | 4A | 88 BPM | ||
| Briony | Dario Marianelli, Jean-Yves Thibaudet | A♭ Major | 3 | 4B | 105 BPM | ||
| Streets of Paris | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 65 BPM | ||
| The Armstrongs | Justin Hurwitz | G Minor | 2 | 6A | 120 BPM | ||
| Siete de Abril | Bryce Dessner | C Minor | 3 | 5A | 188 BPM |