"Seville" by Hans Zimmer had its release date on 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hans Zimmer's "Mission: Impossible 2 (Music from the Original Motion Picture Score)" album is number 3 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Seville is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Seville by Hans Zimmer to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Top of the World | Trevor Jones | D Minor | 2 | 7A | 85 BPM | ||
| The Ministry of Ungentlemanly Warfare | Chris Benstead | E Minor | 5 | 9A | 86 BPM | ||
| Colin | Larry Saltzman, G.E. Smith, Howard Shore | B♭ Minor | 3 | 3A | 120 BPM | ||
| Penny Returns - Interlude | Harold Faltermeyer, Lady Gaga, Hans Zimmer, Lorne Balfe | D Major | 4 | 10B | 107 BPM | ||
| Back To Work | Theodore Shapiro | E♭ Major | 1 | 5B | 144 BPM | ||
| Spies and Typewriters | Abel Korzeniowski | A♭ Minor | 2 | 1A | 118 BPM | ||
| Melt Into Matter | Éric Serra | G Minor | 3 | 6A | 100 BPM | ||
| Call for the Ambassador | Marcelo Zarvos | C Minor | 2 | 5A | 144 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Malaguena | Michael Lucarelli | A Major | 5 | 11B | 168 BPM | ||
| La Vendetta | Tyler Bates, Joel J. Richard | D Minor | 6 | 7A | 175 BPM | ||
| Fool's Gold Legend And Main Title | George Fenton | G Major | 5 | 9B | 101 BPM | ||
| Fuego | Robert Michaels | D Major | 6 | 10B | 120 BPM | ||
| Blackdom | Carlos Rafael Rivera | E Minor | 0 | 9A | 88 BPM | ||
| Oppenheimer | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Sam Spade | Carlos Rafael Rivera | D♭ Major | 3 | 3B | 180 BPM | ||
| The Unfinished Kiss | Daniel Pemberton | C Major | 6 | 8B | 160 BPM | ||
| The Trial of Solomon Grundy | Mark Isham | G Minor | 1 | 6A | 67 BPM | ||
| Bare Island | Hans Zimmer | G Minor | 6 | 6A | 131 BPM | ||
| As a Consequence of Zefir | Junkie XL | B♭ Minor | 3 | 3A | 120 BPM | ||
| Seville | Hans Zimmer | E Minor | 5 | 9A | 106 BPM | ||
| Flying Over Africa | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| Espiritu Esa Ala | David Hirschfelder | C Major | 5 | 8B | 98 BPM | ||
| Gentle Seduction | Oscar Lopez | A Minor | 7 | 8A | 114 BPM | ||
| Interstellar Suite: Part 2, No Time for Caution | Hans Zimmer, Alexander Gibson, Ryan Rubin, Eliane Correa, Pedro Eustache, Gan-ya Ben-gur Akselrod, Aleksandra Suklar, Odessa Orchestra & Friends, Gavin Greenaway | D Minor | 6 | 7A | 98 BPM |