Raghunandan Bhat's ' "Sri Anantha Madhusudhana" was released on its scheduled release date, August 29, 2014. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Ranga Yeyi Vo". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Sri Anantha Madhusudhana is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sri Anantha Madhusudhana by Raghunandan Bhat having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dhanya Hi Pandari | Raghunandan Bhat | D♭ Major | 9 | 3B | 95 BPM | ||
| E ji Nagar Ayodhya Bahut Neek Lage | Maithili Thakur | C Minor | 7 | 5A | 166 BPM | ||
| Pana Panat Kalu Tuzha Naav Ga Mala Distaya Mandhar Gaav Ga | Sakharabai Tekale | B Major | 8 | 1B | 129 BPM | ||
| Jai Jai Ramkrushna Hari | Kashirambuva Indolikar, Digambar Kute | E♭ Minor | 5 | 2A | 87 BPM | ||
| Ondu Baari Smarane | Puttur Narasimha Nayak | A Minor | 7 | 8A | 151 BPM | ||
| Yedbai Ambabai Kheltat Zimma Fugadi | Jagdish Gorase | A♭ Minor | 5 | 1A | 121 BPM | ||
| Chamunda Maa Na Duha Chhand | Isardan Gadhavi | F Minor | 7 | 4A | 101 BPM | ||
| Lokaveeram Padi Pata | Dappu Srinu | G Minor | 5 | 6A | 144 BPM | ||
| Sri Anantha Madhusudhana | Raghunandan Bhat | E♭ Minor | 9 | 2A | 102 BPM | ||
| Hari Ji Avtar Lehni | Pujya Rajan Ji Official | A♭ Major | 8 | 4B | 116 BPM | ||
| Majhya Saicha Udo | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Nandikeshwar Stotram | Nothing but Shiva | D Major | 1 | 10B | 119 BPM | ||
| Aradhi Aaly Nava | Sakhrabai Tekale | B♭ Major | 6 | 6B | 104 BPM | ||
| Kalyana Rama Ananda Rama | Sri Sathya Sai Bhajans | B Major | 8 | 1B | 142 BPM | ||
| Andaman Aani Savarkar | Shantanu Herlekar | D♭ Major | 5 | 3B | 80 BPM | ||
| Savadattiya Girighogona | Sangeetha | A♭ Minor | 5 | 1A | 120 BPM | ||
| Kar Namaskar Premane | SHIVANI BURDE | B Major | 6 | 1B | 184 BPM | ||
| Bhol Bhanjara | Bhimsingh Rathod | B♭ Minor | 8 | 3A | 84 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Vishvacha Janita | Godavaribai Munde | D♭ Major | 7 | 3B | 169 BPM | ||
| Saaj Kavdyacha Galyamadhi Saajto | Sakharabai Tekale | E♭ Major | 7 | 5B | 99 BPM | ||
| Bag Me Ranuna Jad | Gopal Sadhu | A Minor | 9 | 8A | 93 BPM | ||
| Kalbhairav Bhutacha Raja | Vijay Sartape | F♯ Major | 7 | 2B | 109 BPM | ||
| Vittala Vittala Paanduranga | Sivasri Skandaprasad | A♭ Major | 9 | 4B | 122 BPM | ||
| Ja Re Jare Ja Tu Pakhara | Yuvraj Pradhan | D♭ Minor | 6 | 12A | 155 BPM |