"From Holberg's Time, Op. 40: V. Rigaudon: Allegro con brio" by Edvard Grieg, Moscow Soloists, Yuri Bashmet had its release date on September 24, 2008. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Tchaikovsky: Serenade for Strings - Grieg: Holberg Suite - Mozart: Eine kleine Nachtmusik". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, From Holberg's Time, Op. 40: V. Rigaudon: Allegro con brio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With From Holberg's Time, Op. 40: V. Rigaudon: Allegro con brio by Edvard Grieg, Moscow Soloists, Yuri Bashmet having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wind Quintet in F Major, Op. 68, No. 2: I. Allegro | Franz Danzi, Michael Thompson Wind Ensemble | F Major | 1 | 7B | 126 BPM | ||
| 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
| Souvenir de Florence, Op. 70, TH 118: IV. Allegro vivace | Pyotr Ilyich Tchaikovsky, Emerson String Quartet, Paul Neubauer, Colin Carr | D Minor | 3 | 7A | 137 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | A Minor | 1 | 8A | 82 BPM | ||
| Romeo and Juliet Suite No. 1, Op. 64bis: IV. Minuet (Live) | Sergei Prokofiev, Riccardo Muti, Chicago Symphony Orchestra | E♭ Major | 1 | 5B | 92 BPM | ||
| Piano Concerto No. 6 in C Major, H. 49: II. Larghetto | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | E Major | 0 | 12B | 79 BPM | ||
| String Quartet No. 1 in A Major: III. Scherzo: Prestissimo | Alexander Borodin, Budapest Haydn Quartet | C Major | 2 | 8B | 109 BPM | ||
| Symphony No. 35 KV385 in DMajor "Haffner": Allegro con spirito | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 79 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| Concerto for Viola & Orchestra: I. Andante comodo | William Walton, Yuri Bashmet, André Previn | D Minor | 0 | 7A | 87 BPM | ||
| Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | G Minor | 0 | 6A | 169 BPM | ||
| Belshazzar's Feast, JS 48: Prelude. Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | G Major | 2 | 9B | 98 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Sir Colin Davis, London Symphony Orchestra | A♭ Major | 1 | 4B | 83 BPM | ||
| Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro | Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 2 | 10B | 136 BPM | ||
| Serenade for Strings in C major, Op. 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | C Major | 3 | 8B | 123 BPM | ||
| Suite Bergamasque, L. 75, CD 82: I. Prélude | Claude Debussy, Jean-Efflam Bavouzet | F Major | 1 | 7B | 126 BPM | ||
| Cello Concerto No.2 in E Minor, Op.30: 2. Lento - Andante tranquillo | Victor Herbert, Lynn Harrell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Major | 0 | 1B | 86 BPM | ||
| Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
| Holberg Suite, Op. 40: I. Praeludium. Allegro vivace | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 71 BPM | ||
| String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Brodsky Quartet | B♭ Major | 0 | 6B | 118 BPM | ||
| Symphony No. 3 in G Minor, Op. 36: III. Scherzo (Vivace) | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | D Major | 1 | 10B | 83 BPM | ||
| String Quartet in G Minor, Op. 27: III. Intermezzo. Allegro molto marcato - Allegro agitato (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | F Major | 0 | 7B | 92 BPM | ||
| Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": II. Andante | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | D Major | 1 | 10B | 129 BPM |