Arundhati Holme Chowdhury's 'Paap Kete Jaye' had a release date set for April 1, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "Shree Shree Ramkrishna Vandana". In this album, this song's track order is #21. Furthermore, we believe that the track originated from India. Based on our statistics, Paap Kete Jaye's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Paap Kete Jaye by Arundhati Holme Chowdhury having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hridayer Gaan Shikhe To Gaay Go Sabai | Manna Dey | A♭ Minor | 2 | 1A | 72 BPM | ||
| Kajal Nadir Jale | Tarun Banerjee | C Minor | 4 | 5A | 86 BPM | ||
| Aamar Sonar Harin Chai | Uttam Kumar | F Major | 2 | 7B | 64 BPM | ||
| Ei Mom Jochhonay Ango Bhijiye Eso Na | Arpita Biswas | D Major | 5 | 10B | 113 BPM | ||
| Ki Hobe Aar Purono Diner Katha | R. D. Burman | G Major | 4 | 9B | 111 BPM | ||
| Tomar Holo Shuru | Sivaji Chatterjee, Arundhati Holme Chowdhury | G Major | 2 | 9B | 139 BPM | ||
| Keno Tumi badle Gechho | Akhil Bandhu Ghosh | G Minor | 5 | 6A | 124 BPM | ||
| Gram-Chhara Oi Ranga Matir Path - Rezwana Chowdhury Bannya | Rezwana Choudhury Bannya | B♭ Major | 3 | 6B | 117 BPM | ||
| Ami Bhadhbo Na | Mita Chatterjee | B Minor | 5 | 10A | 112 BPM | ||
| Tunhu Mamo Monopran Hey | Sandhya Mukherjee | E♭ Major | 3 | 5B | 126 BPM | ||
| Bare Bare Ke Jeno Dake | Manabendra Mukherjee | C Major | 4 | 8B | 133 BPM | ||
| Ekbar Jete De Na | Shahnaz Rahmatullah | F♯ Major | 3 | 2B | 108 BPM | ||
| Gun Gun Sure Moumachhi Gaane | Arundhati Holme Chowdhury, Sivaji Chatterjee | D♭ Major | 2 | 3B | 63 BPM | ||
| Baro Asha Kore Esechhi Go | Debabrata Biswas | B Minor | 3 | 10A | 64 BPM | ||
| Ye Dil Har Pal Gaata | Brahma Kumaris | F♯ Major | 4 | 2B | 178 BPM | ||
| Adho Raate Jodi Ghum Bhenge Jay | Talat Mahmood | F Minor | 2 | 4A | 90 BPM | ||
| Tomar Holo Shuru | Debabrata Biswas | A Major | 3 | 11B | 91 BPM | ||
| Tomar Ahankaar | Subhamita | G Major | 6 | 9B | 105 BPM | ||
| Bhoomika | Shilajit | C Major | 5 | 8B | 178 BPM | ||
| Ami Chini Go Chini Tomare | Sivaji Chatterjee, Arundhati Holme Chowdhury | C Major | 2 | 8B | 154 BPM | ||
| Ghorete Ashena Seto | R. D. Burman, Amit Kumar | A Minor | 6 | 8A | 85 BPM | ||
| Maa Go Aanando Moyee | Anuradha Paudwal | G Major | 3 | 9B | 152 BPM | ||
| Hoyto Kichhui Nahi Pabo | Sandhya Mukherjee | C Major | 2 | 8B | 96 BPM | ||
| Aaha Mori Mori | Shyamal Mitra | B♭ Major | 3 | 6B | 176 BPM | ||
| Jago He Nagar Basi | Amar Pal | C Major | 3 | 8B | 116 BPM |