The Oak Ridge Boys's ' "Y'all Come Back Saloon" was released on its scheduled release date, January 1, 1992. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Y'all Come Back Saloon's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Oak Ridge Boys Collection". In this album, this song's track order is #2. Y'all Come Back Saloon is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Y'all Come Back Saloon by The Oak Ridge Boys having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Out Behind the Barn | Little Jimmy Dickens | A Major | 5 | 11B | 210 BPM | ||
| High On A Mountain Top | Marty Stuart | B♭ Major | 8 | 6B | 123 BPM | ||
| Mountain Music | Alabama | A Major | 7 | 11B | 110 BPM | ||
| Thank God and Greyhound | Roy Clark | B♭ Major | 4 | 6B | 88 BPM | ||
| Bet Your Heart On Me | Johnny Lee | E Major | 4 | 12B | 119 BPM | ||
| Don't the Girls All Get Prettier at Closing Time | Mickey Gilley | C Major | 7 | 8B | 179 BPM | ||
| Small Town Saturday Night | Hal Ketchum | A♭ Major | 7 | 4B | 154 BPM | ||
| Take Me Down | Alabama | D♭ Major | 3 | 3B | 130 BPM | ||
| Waterloo | Stonewall Jackson | A♭ Minor | 6 | 1A | 204 BPM | ||
| That Just About Does It | Vern Gosdin | D♭ Major | 2 | 3B | 102 BPM | ||
| Look What Followed Me Home | David Ball | A Major | 5 | 11B | 115 BPM | ||
| As Long As I'm Rockin' With You | John Conlee | G Major | 4 | 9B | 98 BPM | ||
| (That's What You Do) When You're in Love | The Forester Sisters | B♭ Major | 5 | 6B | 161 BPM | ||
| Set "Em Up Joe | Vern Gosdin | D Major | 4 | 10B | 120 BPM | ||
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| Fourteen Carat Mind | Gene Watson | C Major | 3 | 8B | 81 BPM | ||
| Who's Gonna Fill Their Shoes | George Jones | E Major | 2 | 12B | 69 BPM | ||
| Next To You, Next To Me | Shenandoah | A♭ Major | 7 | 4B | 94 BPM | ||
| She Never Cried - Remastered Version | Confederate Railroad | D Major | 6 | 10B | 121 BPM | ||
| I Tell It Like It Used To Be | T. Graham Brown | D Major | 6 | 10B | 89 BPM | ||
| Jesus and Mama - Remastered Version | Confederate Railroad | B Major | 6 | 1B | 137 BPM | ||
| Old Flame | Alabama | F Major | 4 | 7B | 110 BPM | ||
| C.B. Savage | Rod Hart | E Major | 4 | 12B | 108 BPM | ||
| Workin' Man's Ph.D | Aaron Tippin | C Major | 8 | 8B | 123 BPM | ||
| The Race Is On | Sawyer Brown | E Major | 5 | 12B | 180 BPM |