On March 10, 1990, the song "Nanadi Se Ho Gaee Ladaaee" was released by Shanta Singh, Rajkumari, Radhika Joshi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 9 in Fashion Mein Budhiyan by Baleshwar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Nanadi Se Ho Gaee Ladaaee is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Nanadi Se Ho Gaee Ladaaee by Shanta Singh, Rajkumari, Radhika Joshi is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Savti Na Apnaayib | Vishnu Ojha | F Minor | 5 | 4A | 138 BPM | ||
| Phir Se Ek Baar Haar Aaya Hoon | Rajni Rajasthani | D♭ Minor | 6 | 12A | 102 BPM | ||
| Chalo Aaj Khwaja Ka | Mohammed Aziz | F♯ Major | 9 | 2B | 174 BPM | ||
| Gadi Rok Lae Driver | Tripti Shakya | F♯ Major | 8 | 2B | 122 BPM | ||
| Koi Nahi Jaane | Madan Rai | F♯ Major | 4 | 2B | 140 BPM | ||
| Peer Prahoni | Gurdas Maan | F Minor | 3 | 4A | 105 BPM | ||
| Darshan Pyas Lochan | Bhai Nirmal Singh Ji | E♭ Minor | 6 | 2A | 160 BPM | ||
| Teinu Milne Da Chah | Asa Singh Mastana, Surinder Kaur | B Major | 2 | 1B | 113 BPM | ||
| Chirmi | Kohinoor Langa | E♭ Major | 8 | 5B | 113 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Mere Manwa Kya Hai Jag Mein Tera | Pt. Gyanendra Sharma | D Major | 3 | 10B | 81 BPM | ||
| Javna Rog Ke Dawaai Na | Bharat Sharma Vyas | E♭ Major | 7 | 5B | 175 BPM | ||
| Kum Kum Kera Charan Pacharo Guru Jambh Dev Bhajan | Sant Rajuram Ji | A♭ Minor | 8 | 1A | 86 BPM | ||
| Khali Hath | Major Rajasthani | F♯ Major | 6 | 2B | 145 BPM | ||
| Dekhte Dekhte | Dimpal Bhumi | C Major | 8 | 8B | 90 BPM | ||
| Roothe Mitr Manane Chale Hain | Ravindra Jain, Satish Dehra, Chandrani Mukherjee | A Minor | 3 | 8A | 92 BPM | ||
| Bhootpret Baitaal | Lakhbir Singh Lakkha | D♭ Major | 6 | 3B | 89 BPM | ||
| Dard To Ab Rukne Ka Ab | Attaullah Khan | F Minor | 9 | 4A | 100 BPM | ||
| Kaya Ne Singar Koyaliya | Moinuddin Manchala | D♭ Major | 7 | 3B | 139 BPM | ||
| Pragti Shri Radha | Indresh Upadhyay | G Major | 4 | 9B | 93 BPM | ||
| Suno Suno Vinati | Milan Singh | D♭ Minor | 8 | 12A | 82 BPM | ||
| Puchiya Kar Sada Hal Ve Dhola | Attaullah Khan | G Major | 6 | 9B | 141 BPM | ||
| Halke Se Mara Ke Bade Se Mara Bundeli Geet | JaiSingh Raja | B Minor | 8 | 10A | 78 BPM | ||
| Teri Murli Di Meetthi Meetthi Taan Te | Bhaiya Krishan Das Ji | E Major | 5 | 12B | 97 BPM | ||
| Bhaag Mein Ber Barkue Ba | Anand Mohan, Kalpana Patowary | F Major | 6 | 7B | 99 BPM |