Leo Fall, Das große Wiener Funkorchester's ' "Leo Fall: Kind, Du Kannst Tanzen" was released on its scheduled release date, January 1, 1997. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Leo Fall: Kind, Du Kannst Tanzen's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 45 in An Der Schönen Blauen Donau - Die Schönsten Walzer Der Welt by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Leo Fall: Kind, Du Kannst Tanzen is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Leo Fall: Kind, Du Kannst Tanzen by Leo Fall, Das große Wiener Funkorchester is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Rose von Stambul | Leo Fall, Rudolf Schock, Stadtischen Oper Berlin Orchestra, Wilhelm Schüchter | E Major | 2 | 12B | 87 BPM | ||
| Macbeth, Act II: Studia il passo, o mio figlio | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Minor | 8 | 7A | 140 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Helden-Gedichte, Op. 87: Heldengedichte, Walzer, Op. 87 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Manfred Müssauer | E♭ Major | 1 | 5B | 96 BPM | ||
| Brüderlein fein: Gut hab ich g'schlafen | Leo Fall, Anke Krabbe, Michael Roider, WDR Sinfonieorchester Köln, Axel Kober | F Minor | 1 | 4A | 86 BPM | ||
| Thine Alone | Kathryn Grayson | B Minor | 2 | 10A | 89 BPM | ||
| Die Sirene, Polka Mazur, Op. 248 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Ernst Märzendorfer | D Major | 0 | 10B | 114 BPM | ||
| Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
| バレエ組曲「眠りの森の美女」 序奏 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | B Minor | 3 | 10A | 64 BPM | ||
| Lucrezia Borgia / Act 1: Maffio Orsini, signora, son io | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Piero de Palma, Graham Clark, Lieuwe Visser, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge | F Minor | 4 | 4A | 103 BPM | ||
| Peter und der Wolf - Der Triumphzug | Elmar Gunsch, Nuremberg Symphony Orchestra | G Major | 1 | 9B | 111 BPM | ||
| Lortzing: Zar und Zimmermann, Act III: 'Holzschuhtanz' | Albert Lortzing, Berliner Symphoniker, Berislav Klobucar | E♭ Major | 1 | 5B | 91 BPM | ||
| Hino 13 - Confiemos em Deus | Orquestra Sacra Paulista | A♭ Major | 0 | 4B | 133 BPM | ||
| Priesterchor aus der Oper " Die Zauberflöte " | Menskes Chöre | D Major | 2 | 10B | 151 BPM | ||
| Hänsel und Gretel, Act III: Kinder, schaut das Wunder an (Father, Stepmother, Gingerbread Children, Gretel, Hänsel) | Engelbert Humperdinck, Donald Runnicles, Bernd Weikl, Hildegard Behrens, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks | F Major | 1 | 7B | 89 BPM | ||
| Die Dollarprinzessin: Gräfin Olga von der Wolga | Leo Fall, Rita Bartos, Willy Hofmann, Chor, Grosses Operetten Orchester, Franz Marszalek | D Minor | 3 | 7A | 96 BPM | ||
| La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
| La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
| Lehár: Der Zarewitsch, Act 1: No. 5, Wolgalied, "Allein, wieder … Es steht ein Soldat am Wolgastrand" (Zarewitsch) | Franz Lehár, Thomas Hampson, Franz Welser-Moest, Franz Welser-Möst, London Philharmonic Orchestra | G Major | 1 | 9B | 165 BPM | ||
| Das muss ein Stück vom Himmel sein | Paul Hörbiger | F Major | 4 | 7B | 126 BPM | ||
| Die lustige Witwe, Act I: No. 1, Introduction – Verehrteste Damen und Herren | Franz Lehár, Donald Grobe, Zoltan Kelemen, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
| Die Csardasfurstin (the Gypsy Princess) [Sung in Hungarian], Act I: A lanyok, lanyok, a lanyok angyalok [Feri, Boni, Chorus] | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | D Major | 5 | 10B | 96 BPM | ||
| Vino, mujeres y canciones, Op. 333 | Orquesta De Conciertos Vienesa, Alfred Scholz | B♭ Major | 3 | 6B | 181 BPM | ||
| O Isis und Osiris (Die Zauberflöte) | Gottlob Frick, Berliner Symphoniker | F Major | 2 | 7B | 86 BPM | ||
| Wagner: Tannhäuser, Act 2: "Freudig begrüssen wir die edlen Halle" (Ritter, Grafen, Edelfrauen, Edelknaben) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | B Major | 3 | 1B | 140 BPM |