Stamatis Spanoudakis's 'Tamalo' had a release date set for January 1, 2006. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Tamalo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stamatis Spanoudakis's "Live At The Royal Albert Hall" album is number 4 out of 14. On top of that, Greece appears to be the country where this track was created. The popularity of Tamalo is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tamalo by Stamatis Spanoudakis to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Finale - Instrumental | Stavros Xarhakos | C Minor | 3 | 5A | 84 BPM | ||
| Those Were the Days | Oceo | A Minor | 5 | 8A | 100 BPM | ||
| Full of hearts | Kostas Christides | B♭ Major | 2 | 6B | 116 BPM | ||
| Haunted Love | Faranak Shahroozi | F Minor | 2 | 4A | 119 BPM | ||
| Café Kastoria | Pavlo | D Minor | 6 | 7A | 98 BPM | ||
| Memories | Stamatis Spanoudakis | C Major | 2 | 8B | 80 BPM | ||
| Sorocos - Instrumental | Yorgos Kazantzis | F Minor | 3 | 4A | 156 BPM | ||
| La Moldau | Franck Pourcel | A Minor | 3 | 8A | 148 BPM | ||
| The Soho Samba | Koben Sprengers, ConForte Symphonic | A Minor | 2 | 8A | 130 BPM | ||
| Clair de Lune sur Montparnasse | Jakob Welik | C Major | 4 | 8B | 200 BPM | ||
| Waves | Stamatis Spanoudakis | G Minor | 4 | 6A | 140 BPM | ||
| Toji | Jaky Lau | F Major | 2 | 7B | 81 BPM | ||
| Silky hair | Sami Hoxhaj, Saemyhoca | B Minor | 2 | 10A | 109 BPM | ||
| Distorted Reflection: VII. Shadow | Bishara Khell, Amira Ishaq, Bishara Haroni, Carol Ibrahim, Eleni Ghassan Mustaklem, Hikmat Ata Qaymari, Hussein Abu Al-Rob, Jalal Nader Albess, Jude Al Qalawi, Luay Bishara, Mahmoud Karzon, Mahran Moreb, Mohammed Karzon, Muntaser Jabarini, Rashed Za'rour, | B♭ Minor | 6 | 3A | 149 BPM | ||
| Kuznechik | John Sokoloff | D♭ Minor | 1 | 12A | 88 BPM | ||
| adagio for strings | Ermis Geragidis, Ermis | F♯ Minor | 2 | 11A | 103 BPM | ||
| To Waltz Ton Mation - The Waltz of the Eyes | Stavros Lantsias | G Minor | 2 | 6A | 180 BPM | ||
| Aiche’s Dance | Evanthia Reboutsika | D Minor | 2 | 7A | 96 BPM | ||
| Tango to Evora | Conjunto Berretin | B Minor | 1 | 10A | 109 BPM | ||
| Venexia | Murat Tugsuz | A Minor | 2 | 8A | 125 BPM | ||
| Pistacchio Boy | Camila Fawape | A Minor | 3 | 8A | 165 BPM | ||
| Petersburg (из кф. «Оправдание Гоголя») | Eugen Doga | E Minor | 2 | 9A | 122 BPM | ||
| Valse Des Balkans | Mimis Nikolopoulos | A Minor | 5 | 8A | 155 BPM | ||
| Aki | Caner Unsal | F Major | 1 | 7B | 128 BPM | ||
| Thalassa | Stamatis Spanoudakis | G Major | 3 | 9B | 165 BPM |