Continuum, Jimmy Heath, Kenny Barron, Slide Hampton, Ron Carter, Art Taylor's ' "If You Could See Me Now" was released on its scheduled release date, June 14, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Continuum's "Mad About Tadd" album is number 2 out of 6. In terms of popularity, If You Could See Me Now is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of If You Could See Me Now by Continuum, Jimmy Heath, Kenny Barron, Slide Hampton, Ron Carter, Art Taylor to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Malcolm And Martin | The Natural Spiritual Orchestra | C Minor | 0 | 5A | 65 BPM | ||
| Jesse Walks Home | Jeff Beal | G Major | 3 | 9B | 63 BPM | ||
| Valsa op. 69 nº1 - Póstuma "Valsa do Adeus" | Bruno Tedesco | E♭ Major | 1 | 5B | 67 BPM | ||
| Theme From The Conversation - Ensemble | David Shire | C Minor | 1 | 5A | 103 BPM | ||
| La Vuelta | Sergio Mihanovich, Gato Barbieri | A♭ Major | 1 | 4B | 129 BPM | ||
| The Glass Menagerie | Stefan Gregory | F Major | 2 | 7B | 80 BPM | ||
| Comfortable Mystery Part 1 | Kevin MacLeod | G Major | 0 | 9B | 134 BPM | ||
| Canto - Cinco | Thomas Buckner, Joel Sachs, Continuum | B♭ Major | 0 | 6B | 82 BPM | ||
| Memories of Green | Blade Runner Soundtrack/The New American Orchestra | D Major | 1 | 10B | 131 BPM | ||
| Bram Stoker's Dracula: Mina / Elizabeth | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | E Minor | 0 | 9A | 145 BPM | ||
| Secret | Somewhere Off Jazz Street | D Minor | 1 | 7A | 90 BPM | ||
| Dream Sequence | David Shire | F Major | 3 | 7B | 78 BPM | ||
| Praises and Prayers: Jerusalem, my happy home (txt. St. Augustine) | Virgil Thomson, Ellen Lang, Joel Sachs, Continuum | D Major | 1 | 10B | 79 BPM | ||
| Philadelphia (From "Philadelphia") | Neil Young, Richard Stoltzman | F Major | 0 | 7B | 87 BPM | ||
| Ancient And Modern | Jonny Greenwood | B Minor | 1 | 10A | 66 BPM | ||
| I Love You More Than I Can Express | Starry Bay Trio, Gabriel Parker, Piano Marico | D Minor | 1 | 7A | 101 BPM | ||
| Gedanken über der Zeit | Paul Fleming, Continuum, Robert Gwisdek | D Major | 1 | 10B | 170 BPM | ||
| Recolher | Miramar, Mário Laginha | D Minor | 3 | 7A | 134 BPM | ||
| Irish Suite: The Leprechaun | Henry Cowell, Cheryl Seltzer, Continuum, Joel Sachs | G Major | 3 | 9B | 113 BPM | ||
| Piece No. 1 for Small Orchestra | Conlon Nancarrow, Continuum, Joel Sachs | C Major | 1 | 8B | 91 BPM | ||
| My Black Flower | Sonny Phillips | C Minor | 1 | 5A | 100 BPM | ||
| Homage to Iran: I. Andante rubato | Henry Cowell, Mark Steinberg, Joel Sachs, Cheryl Seltzer, Continuum | A Minor | 0 | 8A | 130 BPM | ||
| Soliloquy, or a Study in 7ths and Other Things | Charles Ives, Victoria Villamil, Joel Sachs, Cheryl Seltzer, Continuum | B♭ Minor | 1 | 3A | 129 BPM | ||
| Violin and Harpsichord, Book II: Traumwerk 4 | James Dillon, Continuum | D Major | 1 | 10B | 170 BPM | ||
| Always Be Closing | Continuum | E Minor | 9 | 9A | 173 BPM |