Curtis Fowlkes, Roy Nathanson, Brad Jones, Marc Ribot, Bill Ware, E.J. Rodriguez, Jim Nolet's 'March 19th' had a release date set for January 1, 1990. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. March 19th's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Jazz Passengers: Implement Yourself". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. March 19th is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With March 19th by Curtis Fowlkes, Roy Nathanson, Brad Jones, Marc Ribot, Bill Ware, E.J. Rodriguez, Jim Nolet having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Karen | Søren Bebe Trio | E Minor | 2 | 9A | 117 BPM | ||
| The Fifth | Sean Sonderegger, Areni Agbabian, Curtis Fowlkes, Harvey Valdes, Greg Chudzik, Joe Hertenstein | B Major | 2 | 1B | 96 BPM | ||
| Water | Emy Mome | D♭ Major | 5 | 3B | 91 BPM | ||
| Caribbean Blues | Chano Dominguez, Emaginario, Carlos Henriquez, Obed Calvaire | C Major | 2 | 8B | 135 BPM | ||
| Slide Unit | Trombone Ensemble Nabou Claerhout, Nabou Claerhout, Robin Eubanks | D♭ Major | 5 | 3B | 106 BPM | ||
| solo techno beat | PAYARUKPA | B Minor | 2 | 10A | 133 BPM | ||
| Crosswind Landing | Daniel Herskedal, Helge Andreas Norbakken, Eyolf Dale | A Minor | 5 | 8A | 120 BPM | ||
| Solitude Hidden Track | Amanda Finn | E♭ Major | 3 | 5B | 94 BPM | ||
| Skippy | Brad Mehldau Trio | A♭ Major | 4 | 4B | 108 BPM | ||
| Wives and Lovers | Peter Zak, Jay Anderson, Billy Drummond | F Major | 3 | 7B | 108 BPM | ||
| On The Verge | Terence Blanchard | G Major | 6 | 9B | 108 BPM | ||
| Flipped Flopped | Trapper Fade | D♭ Major | 5 | 3B | 120 BPM | ||
| Wide Cumbia | Latino Project, Alvaro Cardenas Jr. | E Major | 1 | 12B | 66 BPM | ||
| Optimism | Vijay Iyer, Stephan Crump, Marcus Gilmore | B Minor | 3 | 10A | 91 BPM | ||
| Song For Judi | Joe Lovano Us Five | A Major | 1 | 11B | 75 BPM | ||
| Iceberg | raLoki | E Major | 1 | 12B | 66 BPM | ||
| M.B. | Brad Mehldau Trio | A♭ Major | 4 | 4B | 145 BPM | ||
| Valencia Bilbao Granada | Vladimir Torres, Martin Schiffmann, Tom Moretti, Constantin Meyer, Hugo Diaz | F Minor | 5 | 4A | 107 BPM | ||
| Deadline | Henrik Hallberg, Klaus Gesing, Niklas Wennström, Johan Käck | D Major | 3 | 10B | 115 BPM | ||
| Nordic Afro | Christian Houmann, Michael Bladt, Carsten Kær Nielsen, Martin Kollerup Sørensen | A Major | 5 | 11B | 99 BPM | ||
| Ballade n° 1 | Martial Solal, Michel Portal | D♭ Minor | 0 | 12A | 60 BPM | ||
| March 19th | Curtis Fowlkes, Roy Nathanson, Brad Jones, Marc Ribot, Bill Ware, E.J. Rodriguez, Jim Nolet | A♭ Major | 1 | 4B | 82 BPM | ||
| Late Set Confessions | Julian Lowlight | E Major | 1 | 12B | 66 BPM | ||
| Go | Airelle Besson, Jonas Burgwinkel, Sebastian Sternal | B Major | 2 | 1B | 68 BPM | ||
| Yvonne & Shimmle | David Jacques | C Minor | 2 | 5A | 127 BPM |