- BPM
- 107
- Key
- B Minor
- Camelot
- 10A
Niccolò Paganini: La campanella - Live Version by Niccolò Paganini, Salvatore Accardo, Orchestra Da Camera Italiana Song Details
Niccolò Paganini, Salvatore Accardo, Orchestra Da Camera Italiana's ' "Niccolò Paganini: La campanella - Live Version" was released on its scheduled release date, January 1, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 11 in Concerto per la donazione alla Città di Cremona del violino Stradivari-Vesuvio, 1727 (Live Version) by Salvatore Accardo, Orchestra Da Camera Italiana. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Niccolò Paganini: La campanella - Live Version is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
The tempo marking of Niccolò Paganini: La campanella - Live Version by Niccolò Paganini, Salvatore Accardo, Orchestra Da Camera Italiana is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 41%
- Loudness
- -22.455 dB
- Acousticness
- 79%
- Danceability
- 57%
- Energy
- 14%
- Instrumentalness
- 3%
- Liveness
- 72%
- Loudness
- 63%
- Speechiness
- 11%
- Valence
- 40%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto Per Due Violini, Archi E Cembalo B Flat Major RV 524: Allegro | I Musici Di San Marco, Alberto Lizzio | A Major | 1 | 11B | 92 BPM | |
 | Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Ara Malikian | A Major | 1 | 11B | 130 BPM | |
| Concerto Per Due Violini, Archi E Cembalo B Flat Major RV 524: Allegro | I Musici Di San Marco, Alberto Lizzio | A Major | 1 | 11B | 164 BPM | |
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | |
 | Paganiniana, Variations for Solo Violin | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | |
 | Howl's Moving Castle (violin and piano) | Edward Chang Violin | G Minor | 2 | 6A | 79 BPM | |
 | Paganini Caprice no. 5 | Neil Black | B♭ Minor | 5 | 3A | 84 BPM | |
 | Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | |
 | The Blue Danube | Johann Strauss II, Eugene Ormandy | D Major | 1 | 10B | 176 BPM | |
 | The Dance of the Goblins. Op. 25 | Antonio Bazzini, Sarah Chang, Charles Abramovic | G Major | 3 | 9B | 93 BPM | |
 | Solfeggio No. 1 in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | |
 | Partita No. 2 per violino solo in Re minore, BWV 1004. Ciaccona | Johann Sebastian Bach, Salvatore Accardo | D Major | 2 | 10B | 107 BPM | |
 | Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | |
 | Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa | Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 180 BPM | |
 | Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | |
 | Danse hongroise n°5 | Johannes Brahms, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | D Minor | 1 | 7A | 134 BPM | |
 | Etude Op. 25 : No. 11 in A Minor | Frédéric Chopin, Sunmin Kim | A Minor | 2 | 8A | 102 BPM | |
 | Carmen Concert Fantasy, Op. 25: I. Introduction. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Minor | 1 | 7A | 107 BPM | |
 | Enemies to Lovers | Joshua Kyan Aalampour | D Major | 3 | 10B | 107 BPM | |
 | Rieding: Violin Concerto in B Minor, Op. 35: III. Allegro moderato | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 1 | 10A | 145 BPM | |
 | 24 caprices en formes d'etudes: No. 8 in F-Sharp Minor | Pierre Rode, Axel Strauss | F♯ Minor | 3 | 11A | 83 BPM | |
 | Carmen, fantasie brillante, Op. 3, No. 3: Allegretto quasi andantino | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | C Major | 4 | 8B | 104 BPM | |
 | La Campanella Piano Version | (O'Lee) | F♯ Major | 0 | 2B | 135 BPM | |
 | Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | |
 | Monti: Csárdás | Vittorio Monti, Edgar Moreau, Pierre-Yves Hodique, Basil Cameron, Philharmonia Orchestra | D Major | 1 | 10B | 85 BPM |
- ISRC
- ITV700004009
- Label
- L-M Records/RCA Records