John Owen-Jones's 'Being Alive' had a release date set for April 16, 2012. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Unmasked". In this album, this song's track order is #7. Being Alive is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Being Alive by John Owen-Jones having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Why God Why - Symphonic | Peter Cousens | A Minor | 3 | 8A | 89 BPM | ||
| Empty Chairs At Empty Tables | Ramin Karimloo | B♭ Major | 3 | 6B | 73 BPM | ||
| If You Could See Her | 2021 London Cast of Cabaret, Eddie Redmayne | E Major | 1 | 12B | 138 BPM | ||
| Moving Too Fast | Norbert Leo Butz | F Major | 6 | 7B | 102 BPM | ||
| Martin Guerre | Matt Rawle | D Major | 3 | 10B | 81 BPM | ||
| Epilogue / I Love You, You're Perfect, Now Change | Jimmy Roberts, Joe DiPietro | A♭ Major | 3 | 4B | 130 BPM | ||
| The Streets of Dublin | Steven Pasquale | E Major | 3 | 12B | 80 BPM | ||
| Who Am I? / The Trial | Gary Morris | B Major | 1 | 1B | 148 BPM | ||
| Reviewing the Situation (Fagin) | Simon Lipkin | C Major | 3 | 8B | 124 BPM | ||
| Who Am I? / The Trial - Live | Colm Wilkinson | F♯ Major | 3 | 2B | 100 BPM | ||
| Live out Loud | Sierra Boggess, Andrew Lippa, Brian Crawley | A Major | 3 | 11B | 119 BPM | ||
| I Cain't Say No | Vicki Simon | F Major | 2 | 7B | 139 BPM | ||
| How I Know You (Reprise) | Damian Perkins | D Minor | 2 | 7A | 84 BPM | ||
| Prologue: Work Song | "Les Misérables Original London Cast" Male Ensemble, Roger Allam, Colm Wilkinson | F Major | 4 | 7B | 82 BPM | ||
| Fantine's Death - Live | Madalena Alberto, John Owen-Jones | F Major | 1 | 7B | 170 BPM | ||
| Castle On A Cloud | Marissa Dunlop, Gay Soper | F Major | 0 | 7B | 72 BPM | ||
| Confrontation | Roger Allam, Colm Wilkinson | B♭ Minor | 4 | 3A | 132 BPM | ||
| The Docks (Lovely Ladies) | Anne Hathaway, Les Misérables Cast | D Minor | 1 | 7A | 78 BPM | ||
| Natasha & Anatole | Denée Benton, Lucas Steele | E Minor | 5 | 9A | 115 BPM | ||
| How 'Bout a Dance (Reprise) | Laura Osnes | G Major | 2 | 9B | 146 BPM | ||
| Everything's Coming Up Roses | Imelda Staunton | A Major | 5 | 11B | 134 BPM | ||
| On Parole / The Bishop - Live | Philip Quast, Colm Wilkinson, Paul Monaghan, Les Misérables - 10th Anniversary Cast | F Major | 1 | 7B | 87 BPM | ||
| Turning - Live | Bradley Jaden, The 2020 Les Misérables Staged Concert Female Ensemble | C Minor | 1 | 5A | 78 BPM | ||
| Wait | Imelda Staunton | A♭ Major | 2 | 4B | 109 BPM | ||
| I Have Dreamed | Conrad Ricamora, Ashley Park, Ted Sperling, Orchestra | C Major | 3 | 8B | 93 BPM |