"FFVII REMAKE: Ignition Flame" by 植松 伸夫 had its release date on 1997. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. FFVII REMAKE: Ignition Flame's duration is considered a little bit shorter than the average duration of a typical track. The song is number 38 out of 156 in FINAL FANTASY VII REMAKE Original Soundtrack by SQUARE ENIX MUSIC. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, FFVII REMAKE: Ignition Flame's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of FFVII REMAKE: Ignition Flame by 植松 伸夫 is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enemy's Roar | Keiichi Okabe | A Major | 10 | 11B | 142 BPM | ||
| Vermilion Fire | Takeharu Ishimoto | A Minor | 8 | 8A | 80 BPM | ||
| Temple of the Ancients - FF7 Rebirth OST Ver. | 牧野 忠義, 植松 伸夫 | F♯ Minor | 8 | 11A | 86 BPM | ||
| Perpetual Battlefield | 鈴木光人 | B♭ Minor | 8 | 3A | 160 BPM | ||
| Decisive Battle I | Yasunori Nishiki | C Minor | 7 | 5A | 82 BPM | ||
| デスゲーム | 鈴木光人 | F Minor | 9 | 4A | 150 BPM | ||
| A Mother's Madness | Justin Frieden, 植松 伸夫 | E Minor | 3 | 9A | 115 BPM | ||
| The Outlaw | 今村 貴文 | D Major | 2 | 10B | 50 BPM | ||
| Nay! The Honor is All Ours | Akihiko Narita | B Minor | 8 | 10A | 144 BPM | ||
| 「Blinded By Light」 from FINAL FANTAS XIII - arrange | SQUARE ENIX MUSIC | B Minor | 9 | 10A | 164 BPM | ||
| Omega | 鈴木克崇, Nobuo Uematsu | C Major | 8 | 8B | 107 BPM | ||
| Octopath Traveler -Main Theme- | Yasunori Nishiki | A♭ Major | 6 | 4B | 132 BPM | ||
| Stage of the Strong | Miwako Chinone | E♭ Major | 4 | 5B | 140 BPM | ||
| Theme of Seth | Hideyuki Fukasawa | E Minor | 10 | 9A | 164 BPM | ||
| The Lion and the Hare - The Nysa Defile | 植松 伸夫 | E♭ Major | 4 | 5B | 95 BPM | ||
| Infinite Loop | Nobuko Toda, Shuichi Kobori, Kazuma Jinnouchi | A Minor | 6 | 8A | 174 BPM | ||
| Enemy Attack | 仲野順也 | G Minor | 8 | 6A | 153 BPM | ||
| 「ノーマルバトル - arrange -」 from FINAL FANTASY Ⅹ | 河盛慶次 | D♭ Minor | 10 | 12A | 190 BPM | ||
| Precipitous Combat | 崎元 仁 | F Minor | 5 | 4A | 80 BPM | ||
| FFVII REMAKE: The Red Zone | 鈴木 光人 | C Minor | 9 | 5A | 158 BPM | ||
| Critical Clash II | Yasunori Nishiki | D Minor | 8 | 7A | 82 BPM | ||
| Theme of M.Bison | Ryudai Abe | B Minor | 5 | 10A | 85 BPM | ||
| Theme of Kolin | 仲野順也 | C Major | 8 | 8B | 150 BPM | ||
| Copied City | 帆足圭吾 | F Minor | 7 | 4A | 88 BPM | ||
| Fort Condor - Press the Advantage! - FF7R Ver. | 植松 伸夫, 鈴木 克崇 | A Major | 9 | 11B | 78 BPM |