Ramkumar Chatterjee's ' "Majlo Amar Mon" was released on its scheduled release date, April 1, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 9 in Bhakti Arghya by Sree Kumar Chatterjee, Ramkumar Chatterjee, Rajyashree. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Majlo Amar Mon's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Majlo Amar Mon by Ramkumar Chatterjee is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shashan To Bhalobasis | Dhananjay Bhattacharya | C Major | 6 | 8B | 113 BPM | ||
| Amar Golar Har Khule Ne | Sabina Yasmin | C Major | 6 | 8B | 181 BPM | ||
| Ke Baleche Ma Aamar | Parikshit Bala | E♭ Minor | 5 | 2A | 155 BPM | ||
| Ebar Tor Mara | Santanu Roychowdhury | C Major | 4 | 8B | 129 BPM | ||
| Roopong Dehi Joyong Dehi Jasho Dehi | Srikumar Chatterjee, Dwijen Mukherjee, Haimanti Sukla, Ramkumar Chatterjee, Mita Kundu, Sukla Roychowdhuri | F Major | 3 | 7B | 180 BPM | ||
| Radhe Krishna Bal | Ramkumar Chatterjee | C Major | 2 | 8B | 115 BPM | ||
| Sab Kichu Phele Jadi | Satinath Mukherjee | C Minor | 1 | 5A | 144 BPM | ||
| Ami Tai Abhiman Kori | Dhananjay Bhattacharya | G Major | 5 | 9B | 80 BPM | ||
| Sobai Dake Baul Bole | Sanajit Mondal | F♯ Minor | 5 | 11A | 153 BPM | ||
| Montro Tantro | Swami Divyavratananda, Ramakrishna Mission | F♯ Major | 5 | 2B | 136 BPM | ||
| Mata Tere Charno | Santi Kunj | A♭ Major | 6 | 4B | 81 BPM | ||
| Shon Re Pathik Shonabo Aaj | Ramkumar Chatterjee | F Major | 6 | 7B | 128 BPM | ||
| Ei Lobhinu Sango Tabo | Srikanta Acharya | F♯ Major | 3 | 2B | 122 BPM | ||
| Hare Krishna Vol 2 Part 2 - Original | Bitu Samajpati, NA | D♭ Major | 5 | 3B | 104 BPM | ||
| Nanya Spriha Raghupathe | Ramakrishna Math, Monks of the Ramakrishna Order | C Major | 2 | 8B | 84 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Aar Janame Jaba Haba | Parikshit Bala | D♭ Minor | 1 | 12A | 83 BPM | ||
| Dattatreya Atreya Putra | Sri Ganapathy Sachchidananda Swamiji | E♭ Minor | 6 | 2A | 198 BPM | ||
| Ganer Surer Asankhani | Suchitra Mitra | E♭ Major | 5 | 5B | 182 BPM | ||
| Sajal Sajal | Bhakta Raj Acharya | C Major | 6 | 8B | 138 BPM | ||
| Jaina Smaran Thi | Kishore Manraja | E♭ Major | 7 | 5B | 150 BPM | ||
| Ami Bel Phool Phiri Kori | Ramkumar Chatterjee | G Major | 5 | 9B | 100 BPM | ||
| Chait Mein Ram Janm Tithi Naumi | Kamla Shrivastav | E♭ Minor | 6 | 2A | 169 BPM | ||
| Aho Shri Satpurushke | SRMD Bhakti | D Major | 3 | 10B | 98 BPM | ||
| Aaradhe Man Shyam Radhe | Hari Om Sharan | F Major | 2 | 7B | 67 BPM |