Ramesh Parmar's ' "Aankhon Me Basa Sara Jahan" was released on its scheduled release date, August 26, 2024. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Aankhon Me Basa Sara Jahan and no other songs are present in the album, we classify this track as a single. In terms of popularity, Aankhon Me Basa Sara Jahan is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aankhon Me Basa Sara Jahan by Ramesh Parmar is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tamdau Hoge Ji - Best CG Song | Nilkamal Vaishnav | G Major | 5 | 9B | 90 BPM | ||
| Radha Rani Ki Kirpa | Chitra Vichitra | B♭ Minor | 9 | 3A | 140 BPM | ||
| Vrindavan Ki Lalit Latan Mein | Hita Ambrish | B Minor | 6 | 10A | 102 BPM | ||
| Ban Ke Dulahniya | Gofelal Gendle | C Minor | 8 | 5A | 145 BPM | ||
| Araram Ke Sathi Kya Kya Ye | Pt. Gyanendra Sharma | E♭ Minor | 6 | 2A | 99 BPM | ||
| Piya Chhod Gaye Dil Tod Gaye | Rajeev Singh | C Minor | 10 | 5A | 97 BPM | ||
| Aisi Bhakti Karne Se Tu | Parmod Kumar | G Minor | 6 | 6A | 89 BPM | ||
| Kachhu Hojawe | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | D♭ Minor | 7 | 12A | 78 BPM | ||
| Leta Shri Ram Nu Naam | Meena Patel, Ramesh Parmar | G Major | 7 | 9B | 179 BPM | ||
| Chetvu Hoy To Cheti Jajo Jivan Ochhu Thay Chhe | Ramesh Parmar | F Minor | 8 | 4A | 126 BPM | ||
| Binjari A Hans Hans Bol | Swami Sachchidanand Aacharya, Swami Sachchidanand Acharya | D♭ Major | 5 | 3B | 81 BPM | ||
| Mahima Gaau Thari Baba Ramdevji Bhajan | Moinudin Manchala | F♯ Major | 5 | 2B | 77 BPM | ||
| Ramapir Ni Hundi | Ramesh Parmar | B♭ Major | 9 | 6B | 113 BPM | ||
| Kaman Gari Tharo Veero | Bhagwan Sahay Sen | B Minor | 9 | 10A | 91 BPM | ||
| Arjun Aaya Patal Lok | Nimbaram Dewasi Party | A♭ Major | 8 | 4B | 103 BPM | ||
| Dukh Koni Agad Gavu | Ramesh Parmar | F♯ Major | 7 | 2B | 114 BPM | ||
| Kahan Kho Gaya Manka Meet | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| Nainan Ke Baan Chala Daye Ree | Deshraj Patairiya | A♭ Major | 3 | 4B | 155 BPM | ||
| Dulha Bane Hai Shri Ram | Pandit Gaurangi Gauri Ji | G Major | 8 | 9B | 170 BPM | ||
| Dhan Dhan Ramdev Janamya | Ramesh Parmar | F♯ Minor | 5 | 11A | 107 BPM | ||
| Chumasa ka Meetha Harjas | Prem Nath | D♭ Major | 9 | 3B | 85 BPM | ||
| Naam Jap Le Nimaniye Jinde Ke Aukhe Vele Kaam Aavega | Hita Ambrish | F♯ Minor | 7 | 11A | 126 BPM | ||
| Ardhi Madham Jedi Pavli | Ramesh Parmar, Meena Patel | A♭ Major | 8 | 4B | 178 BPM | ||
| Ram Mere Ghar Aana | Moinuddin Manchala | F Major | 10 | 7B | 130 BPM | ||
| Khilona Maati Ka | Hari Om Sharan | B Major | 8 | 1B | 89 BPM |