"The How of It Sped" by Bing & Ruth had its release date on May 4, 2018. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The song is number 2 out of 36 in Balance 030 (Un-Mixed Version) by Max Cooper. The How of It Sped is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The How of It Sped by Bing & Ruth is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| P | Labradford | D Major | 1 | 10B | 128 BPM | ||
| Indian Summer | Jónsi, Alex Somers | D♭ Major | 1 | 3B | 63 BPM | ||
| Idea of Order at Kyson Point | Tom Rogerson, Brian Eno | G Major | 0 | 9B | 74 BPM | ||
| Silencia | Hammock | D Major | 2 | 10B | 84 BPM | ||
| The Rhythm Of A Dividing Pair | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | D Major | 1 | 10B | 70 BPM | ||
| Variations on a Theme by St-Dipshit | Kyle Bobby Dunn | A Major | 1 | 11B | 71 BPM | ||
| old chair | Chihei Hatakeyama | E Major | 1 | 12B | 82 BPM | ||
| Mono No Aware 1.3 | William Basinski, Lawrence English | F♯ Major | 2 | 2B | 140 BPM | ||
| Body in a Room | Bing & Ruth | G Minor | 1 | 6A | 122 BPM | ||
| Scene Suspended | Jon Hopkins | E Major | 1 | 12B | 69 BPM | ||
| Don't Go Where I Can't Find You | Eraldo Bernocchi, Harold Budd, Robin Guthrie | B Major | 1 | 1B | 75 BPM | ||
| When I Think of You | Ex Confusion | B Major | 1 | 1B | 136 BPM | ||
| Sad Alron | Mark Pritchard | D♭ Minor | 2 | 12A | 74 BPM | ||
| Fiction Dawn | Deaf Center | B Minor | 0 | 10A | 105 BPM | ||
| The Towns We Love Is Our Town | David Moore, Bing & Ruth | G Major | 2 | 9B | 72 BPM | ||
| Bob In Your Gait | Julianna Barwick | D Major | 2 | 10B | 81 BPM | ||
| Lost Map / The Hawk | Jon Hopkins | C Major | 1 | 8B | 85 BPM | ||
| Gradual of Image | Sarah Davachi | F Minor | 1 | 4A | 166 BPM | ||
| Kanta's Theme | Chris Walla | D♭ Major | 4 | 3B | 139 BPM | ||
| Tayos Caves, Ecuador ii | Jon Hopkins | A Major | 2 | 11B | 136 BPM | ||
| Cloudface | Delia Derbyshire Appreciation Society | G Major | 1 | 9B | 117 BPM | ||
| Untitled, Live in Portland | Sarah Davachi | A♭ Major | 0 | 4B | 70 BPM | ||
| Chop on the Climbout | Mary Lattimore | C Major | 1 | 8B | 103 BPM | ||
| Reflection | Steve Gunn, Bing & Ruth | G Minor | 4 | 6A | 94 BPM | ||
| Almost Beautiful | Anna Homler, The Pylon King, Voices Of Kwahn | F Minor | 1 | 4A | 54 BPM |