Joseph Haydn, The Angeles String Quartet's 'String Quartet in G Major, Hob.III:66, (Op. 64 No. 4): 2. Menuetto and Trio' had a release date set for January 1, 2000. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, The Angeles String Quartet's "Haydn: Complete String Quartets" album is number 2 out of 280. On top of that, United Kingdom appears to be the country where this track was created. String Quartet in G Major, Hob.III:66, (Op. 64 No. 4): 2. Menuetto and Trio is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of String Quartet in G Major, Hob.III:66, (Op. 64 No. 4): 2. Menuetto and Trio by Joseph Haydn, The Angeles String Quartet to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
| Die Jahreszeiten, Hob. XXI:3, Der Frühling: VIII. Freudenlied mit abwechselndem Chor der Jugend, "Oh, wie lieblich ist der Anblick" | Franz Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 1 | 10B | 68 BPM | ||
| Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": IV. Les Soupirs amoureux apres la Princesse Dulcinee | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | C Major | 1 | 8B | 168 BPM | ||
| Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
| Symphony No. 35 KV385 in DMajor "Haffner": Finale.Presto | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 145 BPM | ||
| Septet in E-Flat Major, Op. 20: V. Scherzo: Allegro molto e vivace | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 113 BPM | ||
| Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange" | Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 0 | 4B | 80 BPM | ||
| Concerto for Viola Solo, 2 Violins, Viola and B.C. in G Major, TWV51G:9: II. Allegro | Georg Philipp Telemann, Musica Alta Ripa | F♯ Major | 3 | 2B | 121 BPM | ||
| Symphony No. 50 in D Minor, Op. 10, No. 5: Symphony No. 50 in D Minor: I. Allegro non tanto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Major | 0 | 10B | 91 BPM | ||
| Symphony No. 12 in D Major: III. Allegro assai | William Herschel, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 154 BPM | ||
| Orfeo ed Euridice: Act III, Scene 3, Ballo. Grazioso | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | E Major | 0 | 12B | 69 BPM | ||
| Symphony in G Minor, Op. 22 No. 3, P. I:5: III. Presto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Minor | 1 | 6A | 143 BPM | ||
| Symphony in G Major, Eisen G8: II. Andante | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | E Minor | 2 | 9A | 120 BPM | ||
| Trio No. 97 in D Major: Adagio cantabile | Franz Joseph Haydn, Netherlands Baryton Trio | D Major | 1 | 10B | 115 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Kyrie | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Minor | 2 | 7A | 99 BPM | ||
| Sinfonia Concertante in B-Flat Major, Hob. I:105: II. Andante | Joseph Haydn, Andrius Puskunigis, Michael Kaulartz, Woitek Garbowski, Pirkko Langer, Heidelberg Symphony Orchestra, Thomas Fey | F Major | 0 | 7B | 172 BPM | ||
| Cello Concerto in C, H.VIIb, No.1: 2. Adagio | Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang | F Major | 1 | 7B | 96 BPM | ||
| Symphony, " Surprise " , No. 94 in G-Major, Hob.I:94: IV. Finale - Allegro di molto | Slovak Philharmonic, Alfred Scholz | D Major | 1 | 10B | 133 BPM | ||
| Sinfonia "Il girono onomastico": I. Allegro, quasi presto | Antonio Salieri, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 140 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | D Major | 2 | 10B | 139 BPM | ||
| Symphony No. 45 in F-Sharp Minor, Hob. I:45 "Farewell": 4. Finale. Presto - Adagio | Joseph Haydn, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 75 BPM | ||
| Symphony in D Major, D. 13 "Non è bello quello che è bello mà quello che piace": I. Allegro | Leopold Mozart, Orchestra da Camera del Conservatorio di Mantova, Luca Bertazzi | D Major | 1 | 10B | 120 BPM | ||
| La cambiale di matrimonio: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 140 BPM | ||
| Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
| Concerto grosso in G Major, Op. 6 No. 1, HWV 319: II. Allegro | George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields | D Major | 4 | 10B | 134 BPM |