The Rake's Progress, Act I Scene 2: Chorus. The sun Is bright (Chorus, Nick) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft Song Details

Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft's ' "The Rake's Progress, Act I Scene 2: Chorus. The sun Is bright (Chorus, Nick)" was released on its scheduled release date, May 26, 2009. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. The Rake's Progress, Act I Scene 2: Chorus. The sun Is bright (Chorus, Nick)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress, Act I Scene 2: Chorus. The sun Is bright (Chorus, Nick) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With The Rake's Progress, Act I Scene 2: Chorus. The sun Is bright (Chorus, Nick) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -21.165 dB
Acousticness: 97%
Danceability: 41%
Energy: 18%
Instrumentalness: 0%
Liveness: 43%
Loudness: 65%
Speechiness: 6%
Valence: 54%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico	Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle	E Minor	1	9A	77 BPM
Mathis der Maler Symphony: II. Grablegung	Paul Hindemith, Berliner Philharmoniker, Claudio Abbado	A♭ Minor	0	1A	87 BPM
Concerto for Viola & Orchestra: I. Andante comodo	William Walton, Yuri Bashmet, André Previn	D Minor	0	7A	87 BPM
Petrushka: The Shrove-Tide Fair	Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky	D Minor	5	7A	80 BPM
Pictures At An Exhibition: Gnomus	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	B Major	0	1B	99 BPM
Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	3	5A	103 BPM
The Planets, Op. 32: VI. Uranus, the Magician	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	C Major	3	8B	110 BPM
The Rite of Spring: Part One: Adoration of the Earth: Dance of the Earth	Igor Stravinsky, Teodor Currentzis, musicAeterna	G Major	5	9B	89 BPM
Sinfonietta: IV. Allegretto (The Street Leading to the Castle) - Live	Leoš Janáček, Leon Botstein, American Symphony Orchestra	F♯ Major	1	2B	138 BPM
Oedipus Rex: Epilogue	Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft	D♭ Major	6	3B	90 BPM
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	E Minor	1	9A	96 BPM
Symphonie espagnole, Op. 21: I. Allegro non troppo	Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	D Minor	1	7A	75 BPM
The Miraculous Mandarin, Sz. 73: Introduction. Allegro	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D♭ Minor	4	12A	59 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto	Béla Bartók, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	96 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	D Major	1	10B	82 BPM
The Planets, Op. 32: II. Venus, the Bringer of Peace	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	F Minor	0	4A	85 BPM
Fountains of Rome, P. 106: I. The Valle Giulia Fountain at Dawn	Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan	C Major	0	8B	63 BPM
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento	Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Royal Concertgebouw Orchestra, Riccardo Chailly	C Major	0	8B	69 BPM
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes	Olivier Messiaen, Martin Fröst	D♭ Major	2	3B	107 BPM
Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	G Minor	0	6A	56 BPM
Piano Concerto in G Major, M. 83: I. Allegramente	Maurice Ravel, Krystian Zimerman, The Cleveland Orchestra, Pierre Boulez	D Major	1	10B	129 BPM
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	G Major	1	9B	88 BPM
Turangalîla-Symphonie: I. Introduction	Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons	B Major	4	1B	152 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	E Major	2	12B	161 BPM
Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	B♭ Minor	2	3A	82 BPM