"Data Extraction" by Jeff Broadbent had its release date on November 8, 2011. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Data Extraction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Transformers: Dark of the Moon (Original Video Game Score)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Data Extraction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Data Extraction by Jeff Broadbent having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Experiment | Mick Gordon | G Major | 4 | 9B | 82 BPM | ||
| Main Theme - Alternative version | George Strezov | A♭ Minor | 5 | 1A | 134 BPM | ||
| Stealing the Buggy | Pawel Blaszczak | D♭ Major | 10 | 3B | 95 BPM | ||
| Cybertronian Driller | Jeff Broadbent | E Minor | 8 | 9A | 110 BPM | ||
| System Corruption | Harry Callaghan | A Major | 5 | 11B | 75 BPM | ||
| The Machine | Damjan Mravunac | D Major | 4 | 10B | 83 BPM | ||
| Ashes to Ashes, Dusk to Dusk | Andrew Hulshult | F Minor | 6 | 4A | 160 BPM | ||
| Adrenaline Overdrive | Jason Solowsky | F Minor | 5 | 4A | 157 BPM | ||
| Liberating Athenas | Michael McCann | D Major | 2 | 10B | 141 BPM | ||
| Building Fear | Jeff Broadbent | D♭ Major | 4 | 3B | 137 BPM | ||
| Violet Beau | Simon Chylinski | D Major | 1 | 10B | 111 BPM | ||
| Eerie | Re-Logic | D♭ Minor | 3 | 12A | 100 BPM | ||
| Whispering Meadows | Phase Drift | F Major | 9 | 7B | 164 BPM | ||
| Town in Chaos | Stuart Chatwood | A Major | 10 | 11B | 144 BPM | ||
| God Rays | Simon Chylinski | D Major | 5 | 10B | 115 BPM | ||
| Rising Threat | Sarah Schachner | B♭ Minor | 5 | 3A | 110 BPM | ||
| Frameshift & Starports: Frameshift Suite - Seventh Movement – Virgo | Erasmus Talbot | F Major | 4 | 7B | 150 BPM | ||
| The Right Side of History | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| 1v5 | Danny Cocke, Paul Haslinger | F♯ Minor | 4 | 11A | 104 BPM | ||
| Monsters Nearby - Extended | Sound Of Syndrome, Tommi J. Vieno | F Minor | 3 | 4A | 137 BPM | ||
| Consequence of Power | Jose Pavli | D Major | 7 | 10B | 87 BPM | ||
| Sandstorm | Scott Lloyd Shelly, Re-Logic | B♭ Minor | 9 | 3A | 136 BPM | ||
| Bringing Order to Kaos | Lorne Balfe | F Minor | 5 | 4A | 118 BPM | ||
| Welcome to the Future | Harry Callaghan | E Major | 5 | 12B | 150 BPM | ||
| Lift Off | Simon Chylinski | C Major | 4 | 8B | 120 BPM |