"Reading Room" by Thomas Newman had its release date on August 12, 2002. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Road To Perdition (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Reading Room is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reading Room by Thomas Newman having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| End Roller | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Burying the Dead and Identifying Bodies | John Debney | C Major | 1 | 8B | 143 BPM | ||
| Offspring / Come To His Side | Benji Merrison, Will Slater | C Minor | 0 | 5A | 73 BPM | ||
| Just The Feller | Thomas Newman | C Minor | 0 | 5A | 77 BPM | ||
| Marlo and Ray | Nathan Barr | D Minor | 0 | 7A | 73 BPM | ||
| Silence On The Heath | Dan Romer | F Major | 1 | 7B | 78 BPM | ||
| Caspar Laid Out | Carter Burwell | C Major | 1 | 8B | 67 BPM | ||
| I Lived Here | Martin Phipps | A Minor | 1 | 8A | 96 BPM | ||
| Life Goes On | James Newton Howard | F Minor | 0 | 4A | 70 BPM | ||
| Aurora Borealis | Steven Price | D Major | 0 | 10B | 73 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| Spotlight | Howard Shore | G Major | 0 | 9B | 68 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| In Recovery | Thomas Newman | A Major | 0 | 11B | 49 BPM | ||
| The Central Stables | Steffen Schmidt | G Major | 0 | 9B | 137 BPM | ||
| Harry's Theme | Alex Heffes | D Minor | 0 | 7A | 139 BPM | ||
| Within Our Power | Steven Price | D Major | 2 | 10B | 106 BPM | ||
| Simple Harp | Martin Phipps, The Chamber Orchestra Of London | A Minor | 0 | 8A | 204 BPM | ||
| Together Again | Stephen Rennicks | F Minor | 0 | 4A | 64 BPM | ||
| Cape of Storms | Kevin Smuts | B Major | 1 | 1B | 75 BPM | ||
| This Black Holes Dark Heart | Clint Mansell | C Major | 1 | 8B | 75 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Cornelia and Eli | Federico Jusid | F Minor | 0 | 4A | 81 BPM | ||
| Elysian Nocturne | Elena Vesova | G Minor | 0 | 6A | 81 BPM | ||
| Where Does That Leave Me? | Rupert Gregson-Williams | D Minor | 1 | 7A | 136 BPM |