- BPM
- 103
- Key
- B♭ Minor
- Camelot
- 3A
Three Pieces for String Quartet: III. by Igor Stravinsky, Chilingirian Quartet Song Details
"Three Pieces for String Quartet: III." by Igor Stravinsky, Chilingirian Quartet had its release date on June 1, 1978. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Stravinsky: Symphonies Of Wind Instruments". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Three Pieces for String Quartet: III. is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Three Pieces for String Quartet: III. by Igor Stravinsky, Chilingirian Quartet having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -27.589 dB
- Acousticness
- 98%
- Danceability
- 48%
- Energy
- 2%
- Instrumentalness
- 78%
- Liveness
- 11%
- Loudness
- 54%
- Speechiness
- 6%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mathis der Maler Symphony: II. Grablegung | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | A♭ Minor | 0 | 1A | 87 BPM | |
 | Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Minor | 6 | 5A | 103 BPM | |
 | Spartacus: Scene of the Gaditanae Maidens | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | |
 | Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 122 BPM | |
 | Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | |
 | Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | B♭ Minor | 2 | 3A | 82 BPM | |
 | Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | D♭ Major | 0 | 3B | 66 BPM | |
 | Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | |
 | Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | |
 | Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | |
 | Mavra (arr. S. Dushkin): Mavra: Russian Maiden's Song, "Parasha's Aria" (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Livia Sohn, Benjamin Loeb | G Minor | 0 | 6A | 140 BPM | |
 | Sinfonietta, FP 141: I. Allegro con fuoco | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 111 BPM | |
 | The Firebird Suite (1919 Version): Lullaby - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 58 BPM | |
 | Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Scherzo. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 139 BPM | |
 | Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | |
 | Symphony No. 1 in F Minor, Op. 10: II. Allegro – Meno mosso | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 0 | 3B | 117 BPM | |
| The Firebird Suite (1919 Version): Infernal Dance of King Kashchei - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Minor | 5 | 9A | 83 BPM | |
 | Parsifal, WWV 111, Act III Suite (Ed. Abbado): Karfreitagszauber "Good Friday Music" | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM | |
 | Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Minor | 1 | 8A | 100 BPM | |
 | L'Arlésienne Suite No.2: Pastorale | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 80 BPM | |
 | Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | |
 | Poulenc: Concerto for Two Pianos in D Minor, FP 61: III. Finale. Allegro molto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | D Major | 1 | 10B | 105 BPM | |
 | Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | |
 | Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | |
| Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM |
- ISRC
- GBLWD9105804
- Label
- L-M Records/RCA Records