"Endless" by Continuum, SOLR had its release date on May 21, 2018. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Xperiment by Continuum. The song's track number on the album is #9 out of 9 tracks. Based on our statistics, Endless's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Endless by Continuum, SOLR has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Endless being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Firm (Main Title) | Dave Grusin | C Minor | 3 | 5A | 116 BPM | ||
| Trois Gnossiennes: Gnossienne No. 1 | Erik Satie, Sladjana Gajić | F Minor | 0 | 4A | 67 BPM | ||
| An Evolving Mystery | Barrington Pheloung | A Minor | 1 | 8A | 79 BPM | ||
| Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM | ||
| Set of 5 Take-offs: The Seen and Unseen? (Sweet and Tough) | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 66 BPM | ||
| Vanitas! Vanitatum Vanitas! (9-15) | Andreas Gryphius, Continuum, Robert Gwisdek | D Major | 1 | 10B | 170 BPM | ||
| Hallelujah Junction: 3rd Movement | John Adams | C Minor | 3 | 5A | 113 BPM | ||
| Reverie (Schumann) | David L Tolley | C Major | 1 | 8B | 124 BPM | ||
| How Could You Lose Me? (End Title) | Dave Grusin | F Major | 3 | 7B | 134 BPM | ||
| I Remember When | Stan Getz, Eddie Sauter | G Major | 2 | 9B | 53 BPM | ||
| Love Remembered | Wojciech Kilar | E Minor | 0 | 9A | 170 BPM | ||
| Clare De Lune | dceya | D♭ Major | 0 | 3B | 90 BPM | ||
| Violin Sonata: II. Andante nobile | Virgil Thomson, Mia Wu, Cheryl Seltzer, Continuum | F Major | 0 | 7B | 129 BPM | ||
| Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | A Major | 0 | 11B | 81 BPM | ||
| Aus tiefer Not schrei ich zu dir | Continuum | D Minor | 2 | 7A | 118 BPM | ||
| Sea Change | Jeff Beal | F Minor | 0 | 4A | 182 BPM | ||
| Mesmerize | Kevin MacLeod | E♭ Major | 0 | 5B | 68 BPM | ||
| Motorboy's Fate | Stewart Copeland | A Major | 2 | 11B | 166 BPM | ||
| Strano notturno | Solisti e Orchestre del Cinema Italiano | E♭ Major | 2 | 5B | 78 BPM | ||
| Mississipi Rag | Sébastien Troendlé | G Major | 6 | 9B | 165 BPM | ||
| Where Is the Light - Studio Version | Continuum | A Major | 6 | 11B | 136 BPM | ||
| Pride & Prejudice Suite: Dawn | Dario Marianelli, Jean-Yves Thibaudet | C Major | 1 | 8B | 86 BPM | ||
| Amor Eterno - Instrumental | Eduardo Queiroz, Felipe Alexandre | C Major | 1 | 8B | 176 BPM | ||
| Dawn - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | C Major | 1 | 8B | 79 BPM | ||
| Laura: Laura’s Theme | Mark Northam | G Major | 0 | 9B | 71 BPM |