Rakesh Kala, Rekha Rao's ' "Koi Maare Kahin" was released on its scheduled release date, January 27, 2009. This song is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Pappu Khele Holi Thaan Karke". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Koi Maare Kahin is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Koi Maare Kahin by Rakesh Kala, Rekha Rao having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| WAKE AMBODE SHRINATHJI | Nidhi Dholkiya | C Minor | 6 | 5A | 106 BPM | ||
| Meera Bhajan - Mohan Aao Toh Sahi | Rekha Rao | A♭ Minor | 9 | 1A | 94 BPM | ||
| Shyam Sharan Mein Chalo Chalo | Rakesh Kala | A Major | 8 | 11B | 105 BPM | ||
| Vishwambhari Stuti | Sohini Mishra | F♯ Major | 4 | 2B | 95 BPM | ||
| Meri Bhavna | Rupak Jain, Chetna Shukla | E♭ Minor | 4 | 2A | 132 BPM | ||
| Main Aarti Teri Gaun | Chetna | D♭ Minor | 8 | 12A | 77 BPM | ||
| Main Balak Tu Mata Sheranwaliye | Babla Mehta | B♭ Major | 5 | 6B | 174 BPM | ||
| Aaja Tujhko Pukare Tera Lal | Kumar Ashu, Rakesh Kala | F Minor | 8 | 4A | 81 BPM | ||
| Hum Katha Sunte Ram | Arun | C Major | 7 | 8B | 104 BPM | ||
| Badi Dur Teri Gokul Nagri | Mridul Krishan Shastri | E Major | 5 | 12B | 137 BPM | ||
| Jata Na Koi Khali Maa Tere Dwar Aake | Kumar Ashu, Rakesh Kala | B Major | 9 | 1B | 139 BPM | ||
| Khilona Maati Ka | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | D♭ Major | 7 | 3B | 105 BPM | ||
| Meri Radha Gori Gori | Dhruv Sharma, Swarna Shri | F♯ Minor | 6 | 11A | 168 BPM | ||
| Daridrya Dahan Shiva Stotram | Dharna Pahwa | B Major | 4 | 1B | 116 BPM | ||
| Duniya Chale Na Shri Ram Ke Bina | Jai Shankar Chaudhary | F Minor | 7 | 4A | 88 BPM | ||
| Ram Na Milenge Hanuman Ke Bina | Lakhbir Singh Lakkha | G Minor | 7 | 6A | 145 BPM | ||
| Mera Aapki Kripa Se | Baal Gopal, Rudhav Sharma | G Major | 5 | 9B | 100 BPM | ||
| Sawali Surat Par Mohan Dil Diwana Ho Gaya | jhukur singh | C Major | 9 | 8B | 100 BPM | ||
| Radha Dhundh Rahi Kisi Ne Mera Shyam Dekha | Vandana Bhardwaj | C Major | 8 | 8B | 130 BPM | ||
| Shri Ram Ko Dekhkar Shri Janak Nandini | Pujya Prembhushanji Maharaj | E♭ Major | 7 | 5B | 130 BPM | ||
| Aa Maa Aa Tujhe Dil Ne Pukara | Babla Mehta | A Minor | 7 | 8A | 119 BPM | ||
| Kavan So Kaj Kathin Jag Mahi | Rajesh Chandra | D♭ Major | 9 | 3B | 130 BPM | ||
| Karte Ho Tum Kanhaiya | Preet B | A♭ Major | 4 | 4B | 105 BPM | ||
| Teri Mand Mand Mushakniya Pe Balihar Raghav | Prakash Gandhi | D♭ Minor | 8 | 12A | 138 BPM | ||
| Aisi Laagi Lagan Meera Ho Gai Magan | Vandana Bhardwaj | E♭ Minor | 8 | 2A | 147 BPM |