Vasantrao Deshpande, Rani Varma's ' "Vinayaka Ho Siddha" was released on its scheduled release date, September 16, 1996. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Vinayaka Ho Siddha's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 5 in Bhakti Dhaara Jai Jai Ganaraya by Vasantrao Deshpande, Rani Varma. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Vinayaka Ho Siddha is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Vinayaka Ho Siddha by Vasantrao Deshpande, Rani Varma is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swar Tipecha | Shailesh Ranade | D Major | 5 | 10B | 154 BPM | ||
| Sandhikali Ya Asha | Lata Mangeshkar, Arun Date | A Major | 3 | 11B | 96 BPM | ||
| Ti Geli Tevha Rim Zhim | Hridaynath Mangeshkar | F♯ Major | 2 | 2B | 181 BPM | ||
| Jhada Khali Basleli | Milind Ingle | A♭ Minor | 6 | 1A | 116 BPM | ||
| Vitthala Shappath | Rahul Deshpande | C Major | 4 | 8B | 123 BPM | ||
| Vithu Mauli Tu Mauli Jgachi | Sudarshan Bhure | D♭ Major | 9 | 3B | 80 BPM | ||
| Mauli Vitthal Mauli | Adarsh Shinde, Nilesh Katke, Shantanu Ankushrao Pole, Shree Swami Samarth Creation, Dr. Krunal Metha | A♭ Major | 7 | 4B | 130 BPM | ||
| Lingobacha Dongur | Ravindra, Chandrakant Kale | G Major | 5 | 9B | 123 BPM | ||
| Janu Deha Hi Pandhari | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Ekvira Aai Tu Dongaravari | Shaila Chikhale, Veena Bamne, Shrikant Narayan | A♭ Minor | 5 | 1A | 85 BPM | ||
| Mogara Phulala | Lata Mangeshkar | E Major | 4 | 12B | 87 BPM | ||
| Kiti Vinavu Tula Rama Dayaghana by Mahesh Kale | Mahesh Kale | D Major | 5 | 10B | 100 BPM | ||
| Surat Piya Ki Na Chhin Bisaraye - Lofi | DJ MHD IND, Vasantrao Deshpande | D Major | 8 | 10B | 79 BPM | ||
| Priye Ye Nighuni - Version 2 | Sandeep Khare, Salil Kulkarni | E♭ Major | 3 | 5B | 138 BPM | ||
| Sripaad Ballabh Digambara | Ajeet Kumar Kadkade | A♭ Minor | 5 | 1A | 115 BPM | ||
| Tejonidhi Lohgol | Vasantrao Deshpande | E♭ Major | 6 | 5B | 97 BPM | ||
| Manili Aapuli | Vasantrao Deshpande | A♭ Major | 3 | 4B | 97 BPM | ||
| Avaghe Garje Pandharpur | Suresh Wadkar | D Minor | 6 | 7A | 100 BPM | ||
| Mile Jyane Mukti Aaise | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Kashi Karu Swagata | Suman Kalyanpur | E Minor | 3 | 9A | 120 BPM | ||
| Kanada Raja Pandharicha | Rahul Deshpande, Jayateerth Mevundi, Bhuvanesh Komkali | F Minor | 7 | 4A | 105 BPM | ||
| Too Sukhkarta Too | Vasantrao Deshpande, Rani Varma | F Minor | 0 | 4A | 71 BPM | ||
| Main Kaise Aaoon Balma | Vasantrao Deshpande | A♭ Major | 6 | 4B | 95 BPM | ||
| Mrignayana Rasic | Vasantrao Deshpande | C Major | 2 | 8B | 67 BPM | ||
| Rakumai | Amitraj, Mrunmayee Shirish Dadke, Pragati Mukund Joshi, Rasika Ganu, Kasturie Saairam, Pallavi Telgoankar | C Major | 10 | 8B | 100 BPM |