The Red Chord's 'He Was Dead When I Got There' had a release date set for 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 11 in Clients by The Red Chord. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, He Was Dead When I Got There is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of He Was Dead When I Got There by The Red Chord is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gum Under the Table | Car Bomb | F♯ Major | 9 | 2B | 118 BPM | ||
| Bastard Set Of Dreams | Dead To Fall | G Major | 8 | 9B | 80 BPM | ||
| House Of Straw | Bury Your Dead | A Major | 10 | 11B | 96 BPM | ||
| Highway Robbery | The Dillinger Escape Plan | D♭ Major | 10 | 3B | 192 BPM | ||
| This Lying World | Unearth | A Minor | 8 | 8A | 180 BPM | ||
| Cavil | A Life Once Lost | C Minor | 10 | 5A | 97 BPM | ||
| Bayonetwork: Vultures In Vivid Color | Norma Jean | A♭ Major | 10 | 4B | 91 BPM | ||
| Counting the Days | Cephalic Carnage | D♭ Minor | 9 | 12A | 89 BPM | ||
| Tales Of Martyrs And Disappearing Acts | The Red Chord | F Minor | 10 | 4A | 113 BPM | ||
| Jar Full of Bunny Parts | The Red Chord | D♭ Minor | 10 | 12A | 173 BPM | ||
| My Fears Have Become Phobias | As Blood Runs Black | C Major | 10 | 8B | 116 BPM | ||
| Catalepsy | The Red Chord | A Major | 9 | 11B | 95 BPM | ||
| Coldly Calculated Design | The Faceless | A♭ Major | 10 | 4B | 122 BPM | ||
| Call Off The Wedding | Within The Ruins | A♭ Major | 9 | 4B | 149 BPM | ||
| Yippie-Kay-Yay Mother!@#$%^ | The Tony Danza Tapdance Extravaganza | C Minor | 10 | 5A | 145 BPM | ||
| Something Was Always Missing, but It Was Never You | Misery Signals | F Major | 8 | 7B | 122 BPM | ||
| The Widowmaker | The Acacia Strain | B♭ Minor | 10 | 3A | 103 BPM | ||
| Fifteen Rhema | Zao | A Major | 9 | 11B | 112 BPM | ||
| A Passionate Journey | Animosity | D♭ Major | 9 | 3B | 108 BPM | ||
| The End | Salt The Wound | F♯ Major | 7 | 2B | 215 BPM | ||
| The 42nd Ego | Arsonists Get All The Girls | D♭ Major | 10 | 3B | 88 BPM | ||
| Self Admitted | From A Second Story Window | A Major | 10 | 11B | 94 BPM | ||
| Play Dead... And I'll Play Along | Ion Dissonance | A♭ Minor | 10 | 1A | 114 BPM | ||
| Thy Horror Cosmic | The Black Dahlia Murder | F Minor | 10 | 4A | 110 BPM | ||
| Ice Box | From The Shallows | B♭ Minor | 9 | 3A | 150 BPM |