Charles Roland Berry's ' "I Lombardi alla prima crociata, Preludio III" was released on its scheduled release date, August 12, 2021. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Pleasant Piano Symphonies". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Based on our statistics, I Lombardi alla prima crociata, Preludio III's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With I Lombardi alla prima crociata, Preludio III by Charles Roland Berry having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
| Serse (Xerxes), HWV 40: Act I. Ombra mai fu "Largo" | London Symphony Orchestra | G Major | 1 | 9B | 88 BPM | ||
| 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Orchestra) | Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | G Major | 1 | 9B | 84 BPM | ||
| Violin Concerto in E, BWV 1042: I. Allegro | Nigel Kennedy, Berliner Philharmoniker | E Major | 3 | 12B | 94 BPM | ||
| Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Minor | 1 | 7A | 97 BPM | ||
| I Do Not Presume to Know | Charles Roland Berry, Allison Pohl, Ellinor String Quartet | G Major | 2 | 9B | 81 BPM | ||
| Presto (Concierto Para Cuerda Sol Mayor) | Cámara de la Escala De Milan | D Major | 4 | 10B | 93 BPM | ||
| Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra, Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | ||
| Cantata No. 147: Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) | Rudolf Baumgartner | G Major | 2 | 9B | 77 BPM | ||
| Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro | Johann Sebastian Bach, Philharmonia Slavonica, Karel Brazda | B♭ Major | 1 | 6B | 135 BPM | ||
| In Tender Moments | Charles Roland Berry, Ellinor String Quartet, Erica Convery | G Major | 2 | 9B | 81 BPM | ||
| Marcello: Oboe Concerto in C Minor: II. Adagio | Benedetto Marcello, Pierre Pierlot, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | A♭ Major | 1 | 4B | 58 BPM | ||
| Stabat Mater (excerpt) - Alternate Version | The London Metropolitan Ensemble | F Minor | 1 | 4A | 121 BPM | ||
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco moto - 1995 Remastered Version | Ludwig van Beethoven, Alfred Brendel, Wiener Symphoniker, Zubin Mehta | B Major | 0 | 1B | 83 BPM | ||
| Suite N2. Cancion De Solveig | Orquesta Sinfónica De Radio Hamburgo | E Minor | 0 | 9A | 65 BPM | ||
| Virus Days Quartet, movt. 5 | Charles Roland Berry | E♭ Major | 1 | 5B | 57 BPM | ||
| Klavierkonzert Nr. 20 D-Moll KV 466 - II. Romance | Mozart Festival Orchester, Svetlana Stanceva, Marco Bertone | B♭ Major | 1 | 6B | 86 BPM | ||
| Donausagen, Op. 446 | Carl Michael Ziehrer, Robert Stolz | G Major | 3 | 9B | 88 BPM | ||
| String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto | Luigi Boccherini, Leo Korchin, Renaissance Chamber Orchestra | G Minor | 2 | 6A | 91 BPM | ||
| Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso (Excerpt) | Ludwig van Beethoven, Walter Gieseking, Alceo Galliera, Philharmonia Orchestra | B♭ Major | 2 | 6B | 91 BPM | ||
| Cello Concerto: IV. Allegro | Charles Roland Berry, Jiri Hanousek, Janáček Philharmonic Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 64 BPM | ||
| Il pipistrello - Ouverture | Metropolitan Symphony Orchestra, Leonard Mandell | D Major | 3 | 10B | 94 BPM |