"Almost Human" by Antonio Sánchez had its release date on October 14, 2014. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 22 in Birdman (Original Motion Picture Soundtrack) by Antonio Sánchez. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Almost Human is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Almost Human by Antonio Sánchez is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 1/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flowing | Alex Mercado Trio, Scott Colley, Antonio Sánchez | C Minor | 3 | 5A | 105 BPM | ||
| Johnny On The Spot | Robert Rodriguez, George Oldziey | G Major | 8 | 9B | 90 BPM | ||
| Use of Light | Kurt Rosenwinkel | D Minor | 3 | 7A | 100 BPM | ||
| Free Man | Alex Mercado Trio, Scott Colley, Antonio Sánchez | B♭ Minor | 5 | 3A | 134 BPM | ||
| Miles and Maya | Rolfe Kent | G Minor | 0 | 6A | 65 BPM | ||
| Theme Reprise | The Cinematic Orchestra | G Major | 5 | 9B | 141 BPM | ||
| Strut Pt 1 | Antonio Sánchez | D Minor | 4 | 7A | 96 BPM | ||
| Day and Dusk | Nate Smith | F Minor | 6 | 4A | 194 BPM | ||
| Logan's Limo | Marco Beltrami | A Minor | 4 | 8A | 148 BPM | ||
| SNL Variations, In Walked Carlin, Variation 2 | Jon Batiste | F Minor | 3 | 4A | 165 BPM | ||
| The Sunday Boys (Improvisation) | Brian Blade Fellowship | F Minor | 0 | 4A | 171 BPM | ||
| A. Simpatico B. Misterioso | Howard Shore, Ornette Coleman | A♭ Major | 1 | 4B | 81 BPM | ||
| Silverman Sax | Carter Burwell | F Major | 0 | 7B | 94 BPM | ||
| Temptation, Pt. 1 | Andrew Hale, Simon Hale | F Minor | 1 | 4A | 118 BPM | ||
| Chances Are Gone | Money Spendy | C Minor | 4 | 5A | 160 BPM | ||
| Stool Pigeon | Paul Pritchard | D♭ Major | 3 | 3B | 151 BPM | ||
| Alpha and Omega | Donny McCaslin | D♭ Major | 6 | 3B | 172 BPM | ||
| Almost Human | Antonio Sánchez | B♭ Major | 7 | 6B | 160 BPM | ||
| Harlem Aria (Bonus Track) | Nicholas Britell | B♭ Major | 1 | 6B | 76 BPM | ||
| Diminished Capacity | Rob Burger | F Major | 2 | 7B | 140 BPM | ||
| Yoyo Waltz | The Cinematic Orchestra | D Major | 3 | 10B | 74 BPM | ||
| The End Of The Day | David Shire | F Major | 3 | 7B | 78 BPM | ||
| Wise | Alex Mercado Trio, Scott Colley, Antonio Sánchez | A♭ Major | 3 | 4B | 171 BPM | ||
| The Everyday Bible | Jóhann Jóhannsson | C Minor | 1 | 5A | 86 BPM | ||
| Final Fight | Ryuichi Sakamoto, Bryce Dessner | B Minor | 3 | 10A | 169 BPM |