"The Bee, Op. 13 No. 9" by Milan Rericha had its release date on June 27, 2013. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Widor, Elgar, Tchaikovsky, Mortimer: Clarinet Fantasy by Milan Rericha. The song's track number on the album is #1 out of 10 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Based on our statistics, The Bee, Op. 13 No. 9's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Bee, Op. 13 No. 9 by Milan Rericha has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Bee, Op. 13 No. 9 being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brandenburg Concerto #2, Third Movement | Arthur Frackenpohl, JS Bach, Canadian Brass | F Major | 5 | 7B | 106 BPM | ||
| T-bone Concerto: I. Rare | Johan de Meij, N/A, Christian Lindberg, Heinz Friesen, Symphonic Wind Orchestra Harmonie St. Michaël Thorn | C Minor | 1 | 5A | 123 BPM | ||
| Ave Maria | Milan Rericha, Barbora Perná | C Major | 5 | 8B | 83 BPM | ||
| Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
| Souvenir d'un lieu cher, Op. 42: No. 3, Mélodie in E-Flat Major | Pyotr Ilyich Tchaikovsky, Sharon Kam, Itamar Golan | B Major | 6 | 1B | 98 BPM | ||
| Klezmer Fantasy | Marcel Saurer, Milan Rericha, Philharmonic Wind Orchestra, Marc Reift | F Major | 5 | 7B | 146 BPM | ||
| Two Gypsies | Jirka Kadlec, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | F Major | 6 | 7B | 202 BPM | ||
| Toccata and Fugue in D Minor, BWV 565 | Szeged Trombone Ensemble | D Minor | 1 | 7A | 192 BPM | ||
| Arban: Variations on the Carnival of Venice | Jean-Baptiste Arban, Sergei Nakariakov, Alexander Markovich | E♭ Major | 1 | 5B | 123 BPM | ||
| Bleak Horizons | Orithia | E Minor | 1 | 9A | 111 BPM | ||
| Ocean Drive | Jérôme Naulais, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | G Minor | 5 | 6A | 124 BPM | ||
| Flute Concerto No. 1 in B-Flat Major: III. Allegro maestoso | Alexey Shor, Jasmine Choi, Kyiv Virtuosi, Dmitry Yablonsky | C Minor | 3 | 5A | 136 BPM | ||
| Elgar / Arr. Nakariakov for Flugelhorn and Piano: Salut d'amour, Op. 12 | Edward Elgar, Sergei Nakariakov, Maria Meerovitch | G Minor | 0 | 6A | 75 BPM | ||
| Conradiana (Arranged by John Glenesk Mortimer) | Ennio Morricone, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra, Marc Reift Orchestra | A Minor | 2 | 8A | 66 BPM | ||
| Trombone Concerto: II. Quasi una leggenda: Andante grave (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | ||
| Jazz Fever | Bertrand Moren, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | E♭ Major | 7 | 5B | 125 BPM | ||
| La Venus (Arr. by Bertrand Moren) | X JAPAN, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | A♭ Major | 4 | 4B | 122 BPM | ||
| Amapola - Arr. by Jirka Kadlec | José Maria Lacalle Garcia, Milan Rericha, Marc Reift, Philharmonic Wind Orchestra | C Minor | 6 | 5A | 115 BPM | ||
| Transylvanian March and Embassy Waltz from 'My Fair Lady': Transylvanian March and Embassy Waltz from 'My Fair Lady' | Frederick Loewe, John Wilson, Sinfonia Of London | E Major | 1 | 12B | 68 BPM | ||
| Tuba Concerto: I. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | F Major | 1 | 7B | 117 BPM | ||
| Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
| Clarinet Trio in A Minor, Op. 114: III. Andantino grazioso - Trio | Johannes Brahms, Milan Rericha, Nikolay Shugaev, Fatima Rericha Alieva | B♭ Major | 3 | 6B | 128 BPM | ||
| Norwegian Folk Songs and Dances, Op. 17: Cattle Call | Edvard Grieg, Michala Petri, Gordon Langford, English Chamber Orchestra | C Major | 1 | 8B | 135 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM |