Unjust's 'TRUE' had a release date set for January 1, 1999. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Thin Line Emotions". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, TRUE's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With TRUE by Unjust having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Used | Dogfight! | A Major | 7 | 11B | 112 BPM | ||
| Too Late | CrowneVict | G Major | 8 | 9B | 107 BPM | ||
| Wrist | Splitshift | C Major | 9 | 8B | 113 BPM | ||
| Junk | The Deadlights | D♭ Major | 10 | 3B | 99 BPM | ||
| Borderline (Two Worlds) | Headplate | F Minor | 10 | 4A | 100 BPM | ||
| Hourglass | Number One Son | F Major | 10 | 7B | 186 BPM | ||
| TRUE | Unjust | A♭ Major | 10 | 4B | 150 BPM | ||
| Mindless | No One | A♭ Major | 9 | 4B | 103 BPM | ||
| Through Me Out | Kink | G Major | 10 | 9B | 108 BPM | ||
| In The End | Skrape | G Minor | 10 | 6A | 92 BPM | ||
| Show Me | Liquid Gang | G Major | 10 | 9B | 96 BPM | ||
| Between Us | Index Case | G Major | 9 | 9B | 150 BPM | ||
| Stained | Unjust | F Minor | 9 | 4A | 167 BPM | ||
| Lost Signal | Twin Method | D Major | 9 | 10B | 92 BPM | ||
| Burn | Captor | D♭ Major | 8 | 3B | 136 BPM | ||
| Stand Your Ground | Kilkus | D♭ Major | 9 | 3B | 91 BPM | ||
| Sweet Oblivion | The Deadlights | B Major | 9 | 1B | 91 BPM | ||
| Lines | From Zero | A♭ Major | 10 | 4B | 140 BPM | ||
| Flawless | Twin Method | G Major | 9 | 9B | 140 BPM | ||
| Inside | Addiction, Iggor Cavalera | D♭ Major | 9 | 3B | 86 BPM | ||
| The Sik N U | Unjust | F♯ Major | 7 | 2B | 91 BPM | ||
| Jeer | From Zero | A♭ Major | 9 | 4B | 142 BPM | ||
| Recluse | The Blank Theory | A Major | 9 | 11B | 145 BPM | ||
| Four Walls | Switched | A Major | 9 | 11B | 108 BPM | ||
| Gone | From Zero | A♭ Major | 9 | 4B | 134 BPM |